Tag Archives: Mack Lewis

How to Create a Library Culture

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Historic library checkout cardOne of the greatest things my mother ever did for me was regularly take me to the public library when I was a kid. I don’t recall any exact schedule or regular routine, but I’m guessing every two weeks or so—perhaps more during the summer. On these days my mom would drag my little sister Karen and me away from whatever mud puddle or walnut tree we were in, and we’d all slither into her Ford Falcon and head off to the main branch downtown.

Karen was my best friend growing up, but at the library we mined different tracts. So engaged was I by our library outings that I have no recollection whatsoever of Karen even being present, though I know she was. I sought Daniel Boone and Davy Crocket novelizations, wildlife fiction, and sports biographies, always coming home with a stack of books to conquer before the next visit. I also Dewey-decimaled my way into the architecture section upstairs, pouring over books about drafting and design. When my mom bought me a drafting set one Christmas, I became a master with a t-square and determined to become an architect myself. I got side-tracked during the adolescence of high school, but I’ve used those drafting and design skills in many endeavors. Such was the power of those public library visits.

Click on the library card to preview this play at TpTThe library remains a significant aspect of my lifestyle today. It befuddles me when I see letters to the editor decrying the latest library bond. The writers of these letters want our libraries to charge user fees. They begrudge the $127.45 in annual taxes they pay to maintain our library system. Clearly, these folks never developed that library culture. Perhaps their mothers never took them to the library when they were young.

These days I find myself missing those childhood trips to the library. Perhaps that’s what inspired me to produce my latest Read Aloud Play, The Library Card. I originally wrote this script for Storyworks, where it appeared in October of 2001. It tells the story of African-American author Richard Wright’s relationship with the library. Wright wrote numerous books of significance during the middle of the 20th-century including Native Son and the semi-autobiographical Black Boy. The play is based on an incident from Wright’s youth in which he was denied access to the public library due to his race. The racism theme is obvious, making it an ideal fit for Black History Month, but make no mistake, this play is ultimately about the love of reading and the significance of libraries. With any luck, students who act-out this play will quit taking their access to the library for granted. Should you give the play a run, you might also consider pairing it with a trip to your local public library where you can help kids apply for their own library cards. It’s also worth noting that the story was popularized in William Miller’s inspiring picture book, “Richard Wright and the Library Card,” which makes for another ideal pairing.

Well, I’m off to the library. More plays are coming soon. Happy directing!

Summer Furlough

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New Read Aloud Plays coming soonSeven years ago I assigned my fifth grade class a task called Letter to Myself at Graduation. “I want your fifth grade self to write to your future self,” I told them. “Talk about what’s important to you now, about your time in elementary school, and what you expect to be doing when you graduate from high school. Share some memories. Make some predictions. Say whatever you like. No one but your future-self will ever read it.”

The kids cranked out their letters and, with a bit of coaching, addressed their envelopes (it always surprises me how many fifth graders don’t know their own address). I then stashed the letters away with a yellow sticky note marked, “Class of 2017.” Well, obviously, last week I finally got to give them out! Some I handed directly to kids visiting our elementary school as part of our “Graduation Walk.” Others I delivered at graduation itself. A few more I mailed, having encouraged students over the years to keep their address updated with me.

The results were quite fun. After reading her letter, one young lady said, “Mr. Lewis, this is the dumbest thing I’ve ever read. Fifth graders are so stupid!” Like many kids, her goals and interests had changed profoundly over the years. Another boy came up to me and said, “This is hysterical.” He’d spent a good portion of his letter talking about which girls in class he found cute. One such girl was across the gym reading her own letter. Another young lady opened her letter while standing in front of me and immediately let out a delightful squeal. “I gave myself a dollar!”

By no means do I think this activity is particularly unique. I’m sure many teachers all across the continent do something similar. These days, it’s a regular part of my year-end activities. I’m sharing about it here for three reasons: 1.) I recommend it to other teachers. It’s rewarding for all involved and provides a nice connection to kids who are no longer four feet tall or interested in Pokemon; 2.) it serves to explain why I haven’t crafted a post or published a play in awhile. As it was for many of you, the last weeks of the school year were exceptionally crowded with things like finding purple shore crabs during our outdoor ed trip, creating meaningful comments on report cards, building a giant nose costume for a play performance, and convincing my principal in my performance review why I’m still relevant. There were softball games to watch, middle school honors night to attend, high school graduation itself, and numerous other events. Many of them—like handing out those graduation letters–were wonderfully rewarding. All of them were time consuming, which is my excuse for being so doggone slow at posting something new. And 3.) I have no doubt that at least a few of those kids made mention in their letters something about a play in which they appeared or a role they got to play. Read aloud plays are always among the significant memories.

So, now that I’ve sent all the litter buggers home to immerse themselves in video games and YouTube, and the bigger buggers off to figure out real life, I’m using my summer “furlough” from teaching to get back to work on some new plays. Having succeeded with my principal, perhaps I’ll try convincing my editors at Scholastic that I’m still relevant, as well. Stay tuned. Thank you for your patience. And happy directing!

Talk Like a Russian Day

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The Nose read aloud play readers theater skit by Mack Lewis“Talk Like a Russian Day” was a big hit in my classroom. Though it coincided with certain political events, there was nothing political about it. We started the day by watching a YouTube short of a Hollywood voice actor giving us hints about speaking with a Russian accent. He told us not to emulate Chekov from the Star Trek series. Russians, he said, don’t substitute w’s for v’s. None-the-less, we decided Chekov’s style was to our liking, as was Gru’s in Despicable Me. We also liked the cosmonaut in the Armageddon movie. So after watching short clips of each, we embarked on a day in which the goal was to “talk like a Russian” all day long.

Though it seems like a crazy way to run a classroom, especially when I’m trying to deliver instruction on converting between decimals and fractions, the point was to encourage my students to use an accent in their presentation of my play, “The Nose.” The Nose is a short story by Ukrainian writer Nikolai Gogol, who lived and wrote in the 1800’s. It’s an example of literary farce, meaning a story that defies explanation. Gogol used it to criticize the Russian hierarchy. As the story goes, a mid-level but prideful bureaucrat awakes one morning to find that his nose has inexplicably gone missing. Clasping a handkerchief over his face, he heads straightaway for the police inspector, but on his way he spots his nose getting out of a carriage. Amazingly, it appears to be dressed as a Vice-Governor! Well, the story follows the bureaucrat as he attempts to reclaim his nose, one crazy twist after another.

One of my students, R____, is particularly engaging with her accent and an inspiration to the rest of us. Her enunciation is so scintillating, her sense of timing and inflection so ideal, well, when she is on stage, the play reaches a magical level. R____, by the way, is a Sped student, which just goes to show how powerful Read Aloud Plays can be for otherwise struggling readers.

This week we’re busy building the papier-mâché nose costume, which will be the final touch on what I think will be a smash performance. My second play group, meanwhile, is preparing for their performance of an as of yet unreleased play set in the Wild West, so we followed “Talk with a Russian Day” with “Talk Like a Cowpoke Day.” (The day after that we tried, “Talk Like a Russian Cowpoke,” which we decided meant speaking in a Russian accent while using phrases like “Yippeekayay.”)

The final stretch of another school year is a great time to be messing around with Read Aloud Plays. And no matter how silly the story, plays are an excellent way to promote fluency and engage young readers. Some fun ones to end with include The Nose (which can be found in my book, Read Aloud Plays: Classic Short Stories and online here), The Open Window (also from Classic Short Stories), and Peter Rabbit (while the story may seem young, my upper elementary students always have a blast with it). My Jackie Robinson play is both socially impactful and fun to perform, as is The Newsies (“Talk like a Bronxite Day” doesn’t have the same ring to it, but it’d be fun anyway).

If you’ve been doing plays all year and are ready for something more powerful, some hard-hitting titles worth considering include Sitting Down for Dr. King, Stolen Childhoods, and Freedom for the First Time. I try to incorporate accents, dialect, or tidbits of foreign language into my plays whenever I can, so whether serious or silly, you can almost always have a “Talk Like a ____ Day.”

Happy directing!

42: The Most Important Number to Teach This Month

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Public domain picture of jackie robinsonThe Major League Baseball season’s Spring Training is underway, which seems a trivial point in the broad scheme of academics. Yet were it not for Jackie Robinson’s breaking of the color-barrier, education in America might look alarmingly different.

When I was growing up, I was a sports fanatic. By then, professional sports had already been integrated, so it was easy for me–as Dr. King would say--to judge a man by his character rather than the color of his skin. The grit and tenacity of Matty Alou on the baseball diamond and Terry Metcalf on the gridiron made them my heroes and helped teach me to be “color-blind.” But the fact that Alou and Metcalf were out there at all was the direct result of Jackie Robinson’s own grit and determination.

There was never any doubt that Robinson had the talent to play in the Major Leagues. The issue was whether or not he’d have the character necessary to withstand the racist slurs and physical violence that followed him everywhere he went, both on and off the ballfield. Imagine what would have happened had Jackie responded in kind, perhaps taking a swing at a white player who’d deliberately spiked him, or kicking dirt at an umpire who refused to call a fair game. He would have been quickly drummed out of baseball. Integration of all our institutions, including education, would have been delayed for decades.How Jackie saved the World readers theater play skit

No doubt you have a crop of kids in your classroom who idolize professional athletes. Whether black, white, or striped (as Pee Wee Reese is quoted as saying), learning about Jackie Robinson will help them judge their fellow man by his character just as they judge their sports heroes by their grit.

April 15th is Jackie Robinson Day, the day every Major League player wears number 42 in Jackie’s honor. The league doesn’t celebrate it because Jackie was a great player, but because of the importance and difficulty of Jackie’s accomplishment. It’s a great time to enact How Jackie Saved the World. Kids consistently tell me it’s one of their absolute favorites to perform. I’m confident your students—especially your young sports fans—will enjoy it as well. You can preview and/or purchase it from TeachersPayTeachers by clicking here. You can also listen to some of my students performing it by following this link.

Happy directing!

It’s Not Too Late to Acknowledge Black History Month!

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Black History Civil Rights Readers Theater Free PreviewMy plays often make return appearances in Scholastic’s Storyworks magazine, such as The Daring Escape of Henry “Box” Brown this time last year. In addition to a new look with original illustrations, Storyworks subscribers get treated to a host of top-notch CCSs comprehension activities via Scholastic’s web-based library, which didn’t exist when many of my plays originally appeared ten to twenty years ago. Pretty sweet. Coincidentally, my TpT version of Box Brown, along with many of my other original plays, have also gone through updates that added comprehension activities and improved formatting, so you’re in luck either way.

But “Box” isn’t the only reader’s theater title suitable for celebrating Black History Month. In fact, I have a wide assortment. You can quickly preview four of them by downloading MLK Plays Free Preview Pack. It includes summaries and the first couple of pages of four MLK reader’s theater scripts including Martin’s Big Dream (The Childhood of Martin Luther King, Jr.), MLK’s Freedom March (lovely historical fiction set against the March on Washington where King delivered his most famous speech), In the Jailhouse with Dr. King (another potent work of historical fiction set during the Bus Boycott), and Gonna Let it Shine (non-fiction about the “Bloody Sunday” events in Selma, Alabama). You can download the free PDF preview at TpT.

But there’s still more. Click on the Read Aloud Plays tab to uncover wonderful reader’s theater about Jackie Robinson, Claudette Colvin, the Greensboro Four, and others. In all cases, $3.50 gives the original purchaser reproduction rights to copy a full class set each year for use in his or her own classroom. It even includes school performance rights!

As they do every year, my fifth graders will be learning and presenting three of these plays over the coming months as they learn about the importance and significance of the Civil Rights Crusade for all of us. Join us. Celebrate the legacy of Dr. King with engaging reader’s theater from ReadAloudPlays.com.

Happy directing!

Pairing Plays & Picture Books for Black History Month

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Focus on Common Core Point of View activity freeThe Common Core requires that we teach students to “evaluate authors’ differing points of view on the same historical event or issue by assessing the authors’ claims, reasoning, and evidence.” One way to do that is to pair Read Aloud Plays with developmentally-appropriate books and films so to compare and contrast point of view. Black History Month presents an ideal opportunity for the following pairings:

* The Disney movie, Selma, Lord Selma, and the Read Aloud Play, Gonna Let it Shine.
* My play from the Montgomery Bus Boycott, The Girl Who Got Arrested, and Phillip Hoose’s book about Claudette Colvin, Twice Toward Justice.
*Sitting Down for Dr. King, which depicts the Greensboro Lunch Counter Sit-ins of 1960, and Andrea Davis Pinkney’s book, Sit-in: How Four Friends Stood Up by Sitting Down.
* Peter Golenbrock’s book, Teammates, depicting the relationship between Jackie Robinson and Pee Wee Reese, and the Read Aloud Play, How Jackie Changed America.
* We Shall Overcome, my play about the Birmingham Children’s Crusade, and Cynthia Levinson’s non-fiction book, We’ve Got a Job: The 1963 Birmingham Children’s March.
*Days of Jubilee, by Patricia and Fredrick McKissack, and my play, Freedom for the First Time, which is based on slave narratives from the Civil War.
*The Read Aloud Play, Box Brown’s Freedom Crate, and Ellen Levine’s book, Henry’s Freedom Box.

To get your classroom discussion going, I’ve developed a simple short-answer comparison activity covering Craft & Structure (Literature item 6 and Informational Text item 6). You can download it for free here and use it with my plays and any paired text to satisfy these standards by having students “analyze multiple accounts of the same event or topic.”

Happy directing!

Perhaps the Most Important Thing You’ll Teach This Year

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Imlk-plays-preview3-700x900t’s not my aim to be political, but no matter one’s affiliation, it’s hard to deny that racial tension has resurfaced in this country. It would seem teachers have their work cut out for them, and with Martin Luther King Day and Black History Month right around the corner, now is the time to start preparing lessons that will help the current generation of children overcome such issues. In my humble opinion, one of the best ways is to put your children in the middle of the action by using Read Aloud Plays.

Sitting Down for Dr. King, for example, puts students inside the Greensboro Woolworth’s during the 1963 lunch counter sit-ins. They’ll see this pivotal protest through the eyes of David, a white boy who recognizes the injustice of prejudice and decides to set aside his own interests to stand with the African-American college students.

Gonna Let it Shine tells the true story of Sheyenne Webb, an eight year old crusader there on the bridge in Selma when state troopers and local police used tear gas and billy clubs to disperse and intimidate peaceful protesters.

And Martin’s Big Dream relates an incident from the childhood from Martin Luther King, Jr., in which two white boys in the neighborhood refused to play baseball with him because of the color of his skin. It is one of the most highly-regarded play scripts ever to appear in Scholastic’s Storyworks magazine.

Other plays about Jackie Robinson, Claudette Colvin, the March on Washington, and the Birmingham Children’s Crusade provide engaging stories that will give your students an intimate understanding of race in America. While still others, such as Box Brown’s Freedom Crate and Freedom for the First Time, reveal to your students the injustice of slavery.

Nearly all my plays have been vetted and edited by Scholastic’s amazing editors, and for just three or four bucks, you get the rights to reproduce a class set every year. What’s more, most come with support material and comprehension activities.

Black history is our history. It’s America’s history. As educators, it’s our responsibility to share this history with our students. It’s quite possibly the most important thing you’ll teach this year.

Happy directing.

Teaching Grit & Resilience

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Sybil Cover_ScopeSome of my colleagues were complaining recently that kids today don’t have much in the way of grit, meaning that indefinable resilience that pushes one to overcome hardship. I’ve had enough kids with runny noses whine about needing to call home sick to think maybe it’s true. Then again, as I write this I’m picturing the faces of former students who overcame poverty and homelessness to earn college degrees. Whatever the case, “grit” is an important “soft skill” worthy of our attention. It can be taught, and a great way to teach it is by sharing the story of Sybil Ludington.

Few folks outside upstate New York know much about Sybil–if you’ve ever passed through Carmel, maybe you caught a glimpse of a statue depicting her grit—but she’s considered a hero of the American Revolution.

When General Tryon’s British fleet landed near Danbury, Connecticut, Sybil leapt upon her horse and rode forty miles in the dead of night to call to arms the American troops. She was just sixteen at the time, and her grit and determination is believed to have saved the Hudson Highlands from invasion.

Sybil’s story is a compelling one, and the best way to share it is through a Read Aloud Play. My play about Sybil appeared in the September 2015 issue of Scholastic’s Scope magazine, and this month it makes a reappearance in Storyworks. Imagine your students playing the part of Sybil, or General Washington, or the famous American spy, Enoch Crosby. How much more powerful the story when kids actually get to be Tories and bandits, minutemen, or even Sybil herself?

You can still snag a class set of the Sybil play by becoming a Storyworks subscriber. Storyworks has been providing fantastic language arts content for twenty-four years, and these days it also comes with a host of extraordinary online support material and extensions, all carefully aligned with Common Core standards. On top of that, nearly all my plays appear in Storyworks at least a year before they’re available at TpT. You can check out Storyworks by clicking here.

But Sybil isn’t the only resilient character around whom I’ve built a Read Aloud Play. Deborah Sampson demonstrates grit in The Secret Soldier, as does Sheyann Webb’s character in Gonna Let it Shine and Claudette Colvin’s in The Girl Who Got Arrested. The Newsies, Stolen Childhoods, Box Brown, Jackie Robinson, and Bird Girl are equally great scripts for teaching toughness and determination.

Do any of today’s students have Sybil Ludington’s kind of grit? Let’s hope they never have to face the same conditions. But just in case, consider giving them a bit of training through a Read Aloud Play.

Happy directing!

So You Want to Be President?

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It would appear being president didn't help Taft with his weight.Ah, politics. Everywhere you turn, folks are questioning the qualifications and competencies of each of the current candidates for the White House. No doubt your students are, too–parroting the perspective of their parents. It leads me to believe that kids need to hear what History reveals about being Commander-in-Chief. Take for example William Howard Taft (at left). Teddy Roosevelt used to call him a fathead, right there in public. And not just on the campaign trail either, but while Taft was serving in the Oval Office! Or how about Benjamin Harrison? He once said the Presidency was akin to being in jail!

With all that in mind, here’s a free play on the subject. It’s from my book, Read Aloud Plays: Symbols of America, and it’s free. Perhaps it’ll help your students to begin forming their own ideas about leading the country. At the very least, it’ll provide you with a timely language arts activity.

Note that this free version hasn’t been reformatted like all the rest of my plays. My apologies for the low-quality PDF of pages from the book (with an updated copyright notice slapped in place). I felt it was more important to get this to you before the debates and the election itself than take the time to get it reformatted. But if you like it, consider tracking down the original (its out-of-print, so it can be hard to find, but available through Scholastic’s Teacher Express), or watch for the reformatted version coming soon to ReadAloudPlays.com. It’ll be paired with a second “presidential” play and include extension activities, teaching notes, and a comprehension activity. You can also check out a ton of other nifty plays at my TeachersPayTeachers store. Nearly all have been previously published in Scholastic classroom magazines, so you know they’re of professional q

The End of Standardized Testing?

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Click here to watch this TED TalkWe’ve been seeing it for the last year or so: the education pendulum on the verge of swinging. Standardized testing, Common Core standards, standards-based report cards (with all their annoying numbers), all being shown the door—or at least a dingy corner of the room. Enter, stage right, what I’m calling “purpose-driven instruction.” If you’re not familiar with it, check out this TED talk by education expert Sir Ken Robinson. He shows how the “factory model” of education created by the industrial revolution is outdated. The education documentary “Most Likely to Succeed,” which debuted not long ago at Sundance and is now in limited release, takes it a step further. It shows how “soft skills” such as critical thinking, collaboration, communication, and leadership need to be the focal point of instruction. Rather than having students memorize content (which is all readily available at our thumb-tips), we teach these soft skills through purpose-driven instruction.

Purpose-driven instruction involves having an end product. This end product determines the skills that need to be learned and provides the motivation to learn them. A person building a deck, for example, needs to know about the permit requirements, how to prepare the site, footings, measurement, using a chop saw, and a host of other things. Said person learns all this stuff, in a sense, “on the job,” while actually working on his or her deck. And because he or she is motivated to finish the project, said person is willing to learn the skills, even when it’s as uncomfortable as navigating the city’s building permit process. This person gains mastery through authentic application. (Sound like project-based learning, right? Sure, but keep reading.)

To teach those same skills independent of actually building a deck seems rather ludicrous, but it’s what we do in school all the time. For example, we typically teach calculus without any purpose other than that we might need to know it at some point in the future. No wonder kids ask, “Why do I need to know this?” And even when kids do “know it,” they usually don’t. The “Most Likely to Succeed” filmmakers demonstrate how even students who demonstrate assessed mastery forget pretty much everything within just a few months.

What’s all this got to do with Read Aloud Plays? Well, plays, by their nature, are purpose-driven. Simply by scheduling a performance and inviting an audience, a read aloud play becomes an authentic way to teach a host of “soft-skills.” Get this: in “Most Likely to Succeed,” a play performance is presented as the epitome of purpose-driven instruction and with amazing results (I can’t wait for you to see the documentary!). Plays are especially effective in that you can use them even with large classes (a fundamental symptom of our industrialized education approach). In any given month, I have my class of 34 split into three groups, each working on a play. Granted, these are rather simple performances. Sets are kept to a minimum, if at all, costuming is limited to just a few accessories to signify character (a parasol or a certain hat, for instance), and kids can carry their script in their hand if they want. But it remains that students must collaborate and cooperate, they must practice independently and as a team, and they must “finish” (the play must go on) regardless of broken legs, absenteeism, or fire bells. Students learn about subtle forms of communication such as inflection and innuendo, about body language and movement, all while happily developing their core reading skills. Instead of being forcibly required to read a text book, presumably to improve assessable fluency, they’re willingly—even eagerly—honing their fluency to present a successful performance. That’s a significant shift of the paradigm, as Robinson calls it.

With Read Aloud Plays, students can do more than just read and act, too. They can direct. They can build sets. They can write and adapt scripts. They can design and make costumes. They can create playbills. They can create tickets to the show. They can build online promos. They can create posters. They can film and post the video of the play online. They can serve as ushers. They can run a snack bar. They can write reviews. And, of special importance, they can self-evaluate and provide feedback. No letter grade, report card, or standardized test required.

Those of you who’ve been around for a couple decades have probably seen “purpose-driven instruction” under different names. And critical thinking skills certainly aren’t new to the education community. But whether you’re a proponent of project-based learning, student-led conferences, or reader’s theater who has had to fly under the radar of the standardized data miners, Read Aloud Plays are for you. Whether you’re someone looking to try something other than the text book, or someone who remains committed to teaching to the Common Core, Read Aloud Plays are for you. They’re a fantastic purpose-driven way to teach to the reading standards while simultaneously developing those essential “soft skills.”

Click on the Read Aloud Plays tab for access to a wide-variety of plays with focused content. You’ll find great classroom plays about explorers, the Revolution, Civil Rights, and more, or visit my store at TeachersPayTeachers. And if you haven’t yet seen “Most Likely to Succeed,” look for a screening near you.

Happy directing!