The Necklace is a cautionary tale written in 1884 by French writer Guy de Maupassant. It tells about a young woman who, despite having a very comfortable life, is discontent. Her desire to appear wealthier than she actually is comes at a great cost. In the end she loses her comfort, beauty, and status. The play can be related to modern consumerism–how people today enslave themselves to debt while living beyond their means–but the story is mostly about honesty. It was originally published in Read Aloud Plays: Classic Short Stories (Scholastic 2010). What makes it unique is that it’s told from the perspective of an aloof, French-speaking cat (Maupassant) and his rodent sidekick (Flaubert). Scholastic also published other “aged-up” versions (meaning they had me re-write it without the Disney-treatment), but this version remains one my most well-liked plays, even among older students. It’s a great story to talk about irony, plot, and moral, and it’s a great way to promote student engagement and fluency while teaching to the Common Core standards. It includes parts for eight actors, and is best-suited for grades 4 through 8 as “Zoomer’s Theater,” radio drama/podcast, or short stage performance. It includes a comprehension quiz, embedded prompts, teacher notes, and answer keys. Like all my plays, the original purchaser is licensed to print a full class set every year for use in his or her classroom, and performance rights are included. You can preview and purchase it on my TpT storefront. Happy directing!
Like nearly all of us, I’ve had to adjust my teaching methods to suit the current circumstances. Initially, using reader’s theater seemed out-of-the-question, but as I’ve acclimated to all this remote instruction, I’ve discovered RT is more useful than ever.
Zoom has become something of a necessary evil: managing a bunch of lonely fifth graders online is worse than herding cats—it’s more like wrangling squirrels! Video “instruction” can quickly descend into a free-for-all of pets, bedhead, baby sisters, motion sickness, and worst of all, academic drudgery. Thank goodness for RT! Just like in the classroom, I’ve found that I can rope in all my squirrels with a good “Zoom Aloud Play,” and you can too! Here’s how:
1. Divide you class into small groups and assign each group a different play.
2. Post each play in Google Classroom or whatever secure environment you’re using (to protect copyright, make sure it isn’t accessible by the general public).
3. On Monday, have the kids read the play independently. I suggest casting parts based on your knowledge of their reading ability. Unlike the classroom where you can work one-on-one with a struggling reader, you’re unlikely to have either the access or the time.
4. On Tuesday or Wednesday, schedule a Zoom “play practice” with each of your groups. You can share your screen so that the script is viewable for those who don’t have hardcopies or who are unable to have two tabs open simultaneously. Have the kids continue to practice on their own as “homework reading.” (Homework, what a funny concept these days!)
5. Schedule a second Zoom session later in the week or the for week following. In this session the kids “perform” the play. You can even have them put together simple costumes. Be sure to record the session for play back on your webpage for parents and the rest of the class. If you’re using Zoom, you no doubt have already discovered the tan to do so.
In the regular classroom I usually take three weeks or longer to thoroughly prepare a play for a performance, so I’m learning to limit my expectations a bit. What’s important, though, is that my students are reading, my Zoom sessions are productive, and I’m back to happily directing!
For your first sessions, I suggest trying some light-hearted content such as The Tale of Peter Rabbit, How the Elephant Got Its Trunk, or Rikki Tikki Tavi. We may have missed Opening Day, but my Jackie Robinson play is fun any time of year, as is my play about the first moon landing. These and many more great scripts are available on my TpT storefront—and almost all of them were originally published by Scholastic, so you know they meet the highest standards. So don’t let the shut-down slow you down. Get re-inspired with some “Zoomer’s Theater.”
It’s easy to make the transition to remote instruction with Super Sentences. Here’s how:
Assign a specific time for your students to be online. While much of your home instruction may be independent work, the benefits of Super Sentences is the interactivity. The kids need to be online sharing their sample sentences and providing feedback to one another.
On Monday, introduce a new stream or thread in Google Classroom by typing the week’s given structure. For example, were I teaching structure #14, Command, I’d post this: “Commands give orders or directions, but they only require an exclamation point if they’re delivered in a commanding tone. For example, at the end of this lesson, your teacher may give you a command requiring only a period: Turn in your papers.”
In the same thread, type the sample sentence: “Take off your shower cap this instant or I’ll feed your liver and onions to the neighbor’s goat!”
Next, give the students three topics and invite them to post their own sentence. You’ll need to remind them to remain IN THE SAME THREAD. I’ve capitalized it because I’ve found students jumping threads is the death knell to online interactivity. This cannot be emphasized enough!
As students post their sentences, invite them also to comment on one another’s. I provide feedback by asking the class questions like “Can anyone help Chuck see what’s missing in his sentence?” Or, “Chuck is missing a key piece of punctuation. Can anyone spot it?” I also fire off compliments when I see a really great sentence such as, “Chuck’s sentence is awesome. Can anyone tell us why?” (Just added: here’s a screenshot of an actual thread with mu students; it ended up being about 80 comments long. Hopefully it’ll be legible enough to give you the gist of it.)
On Tuesday and Wednesday I repeat the same process, but I use one of the kids sentence as the example.
On Thursday, I have students post and submit their sentence on a Google Form. This is their weekly test. Have they learned the given structure? Were they able to write an error-free sentence? I grade these sentences and send each student feedback/corrections via Classroom.
Finally, on Friday I have my students post their corrected sentence on our class webpage. I create a post entitled “This Week’s Super Sentences.” Students post their sentences in the “comments” field.
Super Sentences was originally published by Scholastic. I’ve updated and made it available on my TpT storefront in various ala-carte volumes. Sentence structures range from simple sentences to things like “sentences containing a metaphor” and “sentences using commas in a series.” No, it’s not full blown essay writing (you’ll need Perfect Paragraphs for that), but it provides kids in grades 3 through 8 daily writing practice, leading them to develop that innate sense of sentence structure so important to reading and writing competence. It’s engaging because it uses their own writing as the lesson (as opposed to a traditional grammar text that offer stilted “Dick & Jane-type” sentences to correct). Give it a try. It’s inexpensive and come with reproduction rights (make sure you’re respecting copyright when posting online). Best of all, when this pandemic is over, you’ll have your complete PDF of Super Sentences to use no matter what the circumstances: in the regular classroom, in your computer lab, on Chromebooks, or remotely.
Take care, my friends!
At my school we’re expecting to be “teaching remotely” until the end of April. What that means remains to be seen, but it’ll obviously require a lot of content to be delivered online. Unless you can rig up a conference call with ten or twelve students at a time, reader’s theater is probably a scratch, so I’m focusing instead on other material. There is a ton of new fangled “plug and play” programs out there, but if you’d like a bit of the tried and true mixed in to your online content, here’s some of what I’ll be using next month.
Super Sentences will keep your kids writing and discussing even during a shut down. It has students write one sentence fitting a specific construct each day. One week you might work on “Dialogue Sentences” and the next you might teach “Sentences Containing a Compound Predicate.” Almost all your grammar instruction is embedded in the program, and it’s perfectly built for Google Classroom. You’ll get the nitty gritty in the detailed product instructions, but the basics look like this: Post the example and the tips as an “Assignment” and have each student respond with his or her sentence. Because the whole group can see the responses, both you and your students can provide feedback, just as in the regular class. On the next day, choose two or three sentences to repost with your teacher comments, and then have kids write new sentences, repeating this process daily until crafting error-free sentence on the test at the end of the week. Super Sentences comes in two ala-carte volumes. Volume One is included in tandem with Perfect Paragraphs, which is another item suited to online learning.
Perfect Paragraphs asks students to unscramble a sample paragraph fitting a specific genre. Once they’ve re-arranged the sentences in the proper paragraph format, they’re then directed to write a paragraph of their own on the same topic and following the same structure. (The concept here is that kids become proficient by initially imitating. Think human speech, or how you own child learned to read, or how Picasso learned to paint.) As with any writing task, editing, revising, and sharing follow. I plan on having my students complete one paragraph-writing activity every other week. Once again, the details are in the product instructions, but Google Docs is a perfect match given how teacher and student can watch one another write and comment in real time. Ideally, students will need to be able to view a PDF of the unscrambling worksheet and the paragraph writing template before doing all their typing in Docs. Perfect Paragraphs comes as a complete package or in three ala-carte levels, including a set of multi-paragraph writing tasks. You can try out a free sample here.
EZSub Plans are typically marketed to subs and teachers in need of emergency, self-directed lessons. Well, this is an emergency and it turns out these plans are pretty ideal for remote learning! You merely need to provide PDFs of each lesson. Each package always includes reading, writing, math, and art activities, as well as a few mini-lessons. Kids may have to be a bit more resourceful than they are in the classroom, making due with materials on hand and tracking down certain tools (such as a ruler), but most of it is within reason. EZSubPlans are fun for kids and designed to be easy to teach. They come in four grade levels—3rd through 6th–but they’re interchangeable to a large degree (the 3rd grade sets could be considered 3rd-5th; the 4th and 5th grade sets are suitable for 4th and up, etc.) If grading is important, students can send their answers to you via Google Classroom. Or if you prefer, you can simply share each included answer key and have students self-correct. Cake!
One super important asterisk about sharing all this material online: please be careful about posting copyrighted material. If someone outside your class can download it, you’ll be violating copyright. While programs such as Google Classroom allow you to share items within a private environment (students must sign-in), class webpages are often public or “open.” I see this frequently with Weebly pages. Teachers with good intentions share material from, say, Scope magazine. They’re simply trying to provide remote access to their students. The problem is that everyone else on the web can access it too. So, whether you’re using my products or someone else’s, please respect copyright by making sure your online access is restricted.
Now, how about we figure out a way to arrange that conference call? I’ve got some great Read Aloud Plays that are ideal for Spring, whether school is shuttered or not…
Let’s hope and pray for a quick end to this virus.
If the President had to prepare his own taxes, I’d bet our tax code would be a lot simpler. If you file your own, you’ve probably run across forms that make you run through complicated “worksheets” that lead you back to the original form and probably the entry of a big fat 0 on your 1040, Schedule A, Form 8829, Worksheet 674x-b12.7, or one of the other gazillion forms. It’s no wonder people take their box of receipts down to H&R Block and hope for the best.
The same thing is true in my classroom—at least kind of—when students prepare their weekly tax report. It’s the heart and soul of The Checkbook Project. At first, kids hate the process, but once they become competent, they simply hate having to pay the tax.
Springtime (or whenever we return to school, assuming you’re shuttered like most of the nation) is a great time to try out The Checkbook Project. The name is a misnomer, by the way. There are no checks, just checkbook registers in which students keep track of their debits and credits. “The class is doing an excellent job at staying at an appropriate noise level; everyone give yourself a $5 quiet credit,” is a typical statement made in my classroom. “Great job on this math test, Julio. You scored an 88%. That’s $88 for your bank account.”
The Checkbook Project is a financial literacy program that creates a real economy in the classroom. As in the real world, everything has value attached to it. What isn’t covered by “taxes” (the public drinking fountain, for example) costs checkbook money. Students get a ton of real-world math experience, the system is its own behavior management program, and the kids get an authentic introduction to economics, including why we pay taxes and how complicated the tax code can be. In our case, students calculate and deduct their income tax simply by listing their income sources for the period and multiplying the total by the current tax rate (I always start at 10%). They divide that by two to derive at their Social Security tax, and then deduct both from their account (before moving on to paying desk rent or their mortgage).
New this year are two complicating forms inspired by my own experience preparing my taxes. The first, Form 219b allows students to deduct from their income charitable donations and contributions to a 403b investment account. I give my students 10 times what they contribute in real money to school charities such as our coin drive raising money for Nepalese students. A $1 donation puts $10 in their own checkbook account. My kids then get to deduct that from their income before paying taxes. I also want to encourage my students to become savers, so not only do they get to deduct contributions to their 403b, I also pay out 10% interest on their total savings every other week. The 219b certainly makes filing class taxes a bit harder (so I don’t let kids do it in the first couple weeks of the project), but it rewards them for being savers and givers.
XP-20 is the second form, which penalizes kids for sloppy, inaccurate, or incomplete tax forms. It’s painful enough that kids usually only have to fill it out one time. To accommodate both forms, I’ve also revamped the Tax Report form.
Anyway, if you haven’t looked over The Checkbook Project, tax season is a good time to do so. It’s completely free on my TpT storefront. All you have to do is download it. No complicated forms to fill out. No taxes to pay.
Happy directing, er, tax filing!
If you’ve never heard one of your students attempt a southern drawl you must give Box Brown’s Freedom Crate a whirl during Black History Month. Ever since I wrote it for Scholastic’s Storyworks magazine back 1999, Box Brown has always been a favorite among my students. Consequently my class learns and performs it almost every year. Even if you’re teaching in the Southern U.S.—where the dialect might not be so unique—there remain many compelling reasons to teach with this play.
Box Brown’s Freedom Crate is based on The Autobiography of Henry “Box” Brown. Henry was the slave who mailed himself to the North inside a wooden crate and lived—just barely—to tell the world about it. Why do kids like this play so much? The large cardboard box we use as the main prop is one reason It’s painted to look like an old-fashioned shipping crate and is just big enough for a moderately-sized fifth grader to climb inside. The student playing Henry disappears within it during Scene 4 and then discreetly exits while the curtains are closed. From there he appears to get battered as the box is tossed from wagon to train to steamer until it finally gets cracked open at the Anti-Slavery Society in Philadelphia. Henry then rises from his coffin only to quickly swoon away from exhaustion and dehydration. This is of course a dramatic moment in Henry’s true story, and one kids don’t soon forget.
There are also sound academic reasons to enact plays such as Box Brown’s Freedom Crate. For example, because kids are willing to read and reread their lines over and over again, Read Aloud Plays build reading fluency. The brain science behind this repetition suggests it actually forms the neural pathways that make reading possible. Read Aloud Plays are easily leveled and they provide the exposure to drama the new Common Core Standards demand. They also allow students to experience history “first hand,” which helps them to relate to people like Henry, to understand some of the heartache and suffering Henry might have felt. …Plus there’s still that whole southern accent thing.
Visit my storefront at TeachersPayTeachers to download a free preview of Box Brown or one of my other Black History plays about such important events and people as Ruby Bridges, Claudette Colvin, and the Day of Jubilee. I’ve used every one in my own classroom, and because most have been previously published in Scholastic classroom magazines, you can rest-assured they’re of the highest quality.
Box Brown’s Freedom Crate is suitable for 4th-8th graders and includes parts for from ten to twenty students depending on your needs. Hear Box Brown being performed by students by clicking on the “podcasts” tab, and to get the most out of your reader’s theater, be sure to download my free article entitled “Why Use Drama?” Happy directing!
These days Presidents’ Day is viewed by most students as merely an extra day off from school. Here’s how to give meaning to the day.
It’s quite possible we will never again see a president as popular as George Washington. He is known as “the father of our country” because of all he did to bring about independence from England. He led the United States to victory in the Revolutionary War, and afterwards became the country’s first president despite never wanting the job. Contrast that to how desperately people seem to want the job today! Washington served out of a sense of duty, and he never accepted pay. No wonder it was said of him, “First in war, first in peace, and first in the hearts of his countrymen.” In fact, Washington was so popular people started meeting in taverns, giving speeches, or going to extravagant balls to celebrate his birthday while he was still in office! His sudden death three years later only made people want to honor him that much more. As a result, “Washington’s Birthday,” which is on February 22nd, has been celebrated ever since.
Don’t see it on the calendar? That’s because in 1865 another beloved president died suddenly. Though Abraham Lincoln’s presidency had been controversial, he is considered one of America’s greatest leaders. Though his birthday on February 12th did not become a federal holiday like Washington’s, it was celebrated in many states. Then, in 1968, Congress made changes to several holidays to simplify the calendar. Washington’s Birthday became the third Monday in February, regardless of whether or not it fell on the 22nd. Because Lincoln’s Birthday is also in February, many people started calling the third Monday “Presidents’ Day” in honor of both Washington and Lincoln. Today, though still officially called Washington’s Birthday by Congress, the third Monday in February is thought of as a day to recognize all those who have served the nation as president—even the ones many of us have never heard of such as Martin President Van Buren (upper left).
All those dates aside, you can bring lasting meaning to the day simply by using my “Presidents’ Day Dream” play this week. The play looks at the Presidency from a different viewpoint. In modern times it seems everybody wants to be Commander-in-Chief. When the play’s lead begins day dreaming about how great it would be, she’s met in her “dream” by various former presidents. Each speaks openly and honestly about the challenges and hardships of the job while pointing out the qualities it takes to be a good leader. In so doing they give her and the audience a unique character-building history lesson on being the President. The embedded political cartoons add to the lesson, showing students that elections have always been contentious and presidents often criticized.
Consider pairing it with my laugh out-loud play, “Argument at Mount Rushmore.” It gives students a look at the unique personalities of Lincoln, Jefferson, Washington, and Roosevelt. It imagines their sixty-foot tall faces on Mount Rushmore are “discussing” the merits and accomplishments of each of their presidencies. Though built on a humorous platform, it’s a historically-accurate portrayal of the gracious Washington, the witty Lincoln, and the always-enthusiastic Roosevelt. As for the sometimes over-looked and often under-appreciated Jefferson, well, let’s just say he gets a bit bent out of shape. This play is always a hit, especially if you’re industrious enough to build your own Mount Rushmore set!
Both plays originally appeared in Read Aloud Plays: Symbols of America (Scholastic, 2003). Though obvious works of fiction, the details were carefully researched and subsequently reviewed by professional editors at Scholastic. On top of all that, they’re inexpensive. Both plays come with a comprehension activity, a paired text “pre-reading” activity, teacher notes and keys, and a classroom license. Just click on the cover to download the free preview at TeachersPayTeachers!
February is Black History Month. While I encourage you to acknowledge it with some dedicated activities, I’m also reminded that black history is American history; it need not be limited to a single month! The end of the Civil War, Jackie Robinson’s breaking of baseball’s color barrier, and MLK’s “I Have a Dream” speech certainly rank among some of the most significant moments in American history. With that in mind, here are ten great paired texts with which to recognize those great moments while meeting numerous Language Arts standards. All the plays are based on the given event–not it’s paired text (in most cases the play was published before the given book). That means each pairing represents distinctly unique points of view (Literature CCSS #6), making for livelier discussions and quality comparisons (CCSS Lit #7). And because these plays are based on real events, they’ll also satisfy CCSS Informational Text #6. Each includes a comprehension activity, too, assuring your students will satisfy numerous other standards as well. And because almost all my plays were originally commission by and published in Scholastic’s Storyworks and Scope magazines, they’ve been professionally vetted, making them the best reader’s theater on the market. Just click on the image to preview or purchase on my TeachersPayTeachers storefront. Happy directing!
Having reacquired my publishing rights to collection of my plays, I’ve just repackaged “The Open Window” and made it available on my TeachersPayTeachers storefront. It now includes my reader’s theater script, the original text, three comprehension activities, and teacher’s notes and answer keys. The story was written in 1914 by English writer H.H. Munro, who went by the pen name, Saki. It tells about a man named Framton Nuttel who comes to the countryside to recover from “a bad case of the nerves.” Too bad he meets young Vera Sappleton, a teenaged trickster, who sends Framton over the edge. It’s a highly accessible for middle grade readers because of its brevity, the way Saki sets up the victim, and because the lead character is a youngster. It was originally published in Read Aloud Plays: Classic Short Stories (Scholastic 2010). It includes parts for eight actors and one barking dog. Use it with grades 4 through 8 as reader’s theater, a radio drama/podcast, or full stage performance. Happy directing!
I recently attended a workshop in which the keynote speaker pointed out that in this current age of information, teaching content is largely irrelevant. Information is at our fingertips, he suggested, so there’s no point in dwelling on it in class. He advocated teaching skills such as coding, collaboration, and even gaming instead, relying on the natural interests of the students to guide them.
While his presentation did have merit, I disagree with the premise that content is no longer relevant. Some things, I believe, still need to be taught explicitly.
The speaker suggested people will seek information when they need it. Often times, though, we don’t know what we need to know until it’s presented to us. How, for example, does a person realize he or she needs to know about Claudette Colvin, a figure in the Civil Rights Movement? Will they wake up some morning and say, “I wonder if Rosa Parks really was the first African-America to be arrested for refusing to give up a seat on the bus.” How does anyone know to ask such a question unless the facts have already been introduced? For that matter, what would compel someone to go looking for information about Rosa Parks, the Montgomery Bus Boycott, or any history event if they hadn’t already heard something about it?
While “natural interests” may motivate children, without accurate information, they’ll be rudderless in their journey. Consequently, it’s essential that certain subjects—history especially—be taught explicitly. While exact dates and capital cities may be good questions to pose Alexa or Siri, the how and why of important events is still of significance in the classroom. Simply put, there are some things everyone must know and understand for our society to survive.
January and February are traditionally the months in which we teach content related to the Civil Rights Movement and our African-American heritage. These are important events and ideas that we all need to understand. Don’t let the opportunity to be explicit slip by. Rather than let their Facebook friends teach them this history, introduce your students to it by using some of my reader’s theater scripts. Many of my plays are told from the perspective of young people—actual heroes from the movement—such as Ruby Bridges, Sheyann Webb, and a young Martin Luther King—and Claudette, too.
My plays are inexpensive, they include teacher-created comprehension activities, they align with standards, and the majority of them were originally published in Scholastic classroom magazines, so you can rest assured they’ve been thoroughly fact-checked. Access them on my storefront at TeachesrPayTeachers. You can even download a free Civil Right RT Preview.
We really need to start viewing this as the Age of Disinformation, which means the facts matter more than ever. The great work you do to teach those facts has never been more important.