9 Ways to Prep for a Sub

1. Don’t bother! Just ignore that cough. Cancel that meeting. Show up to class with a box of Kleenex and a bottle of DayQuil.

2. Don’t bother. Let the sub fend for him- or herself.

3. Don’t bother. Put a kid in charge instead. Your students can tell the sub where to find all the “worksheets,” the tempera paints, the science chemicals….

4. Stay up late. Use the night before to get all those sub notes written out. Why not? You’re gonna sleep all day tomorrow, right?

5. Go in early. You’ll probably already be up and retching at 4 a.m. anyway.

6. Give ’em more screen time. Plug the kids into to computerized programs that pacify them just like their devices do at home. Or leave a collection of Disney movies and Bill Nye videos on your desk.

7. Copy. Leave the same sub plans your neighboring teacher used last week and hope the sub can adjust.

8. Hope for a snow day.

9. Or, download EZSubPlans. It’s the easiest and most professional way to prepare for a sub. We all know preparing for a sub is tedious and time consuming, but it doesn’t have to be. Just click, print, and relax! Rather than staying up late, showing up sick, or throwing your sub under the bus, give our emergency lesson plans a try. Because they provide your students with quality, standards-based lessons that don’t interfere with your regular instruction or require special materials, EZSubPlans represent good practice. And they’re just a click away. Download your EZSubPlans today so you’re prepared tomorrow!

Whether a classroom teacher, substitute, or administrator, EZSubPlans will provide you with inexpensive, kid-tested plans at the touch of a button. Each EZSubPlans package includes at least seven hours of grade-specific lessons designed to make your next absence easy and worry-free. Classroom teachers wanting to avoid the frustrating and time-consuming process of preparing for an absence and substitute teachers needing back-up material will find everything they need with EZSubPlans. Days are labeled by grade level, but each can be easily adapted to suit one grade level up or down. A fifth grade teacher, for example, could use the lesson plans for grades 4, 5, and 6–that’s six days in all. Each set includes a reading text and comprehension exercise, a spiraling math activity with extensions, a grammar lesson, an art project, a writing task, and even opening and closing activities. Teachers need only to download and print–the sub does everything else.

How much is a stress-free sub day worth? Who can say? How much does a stress-free sub day cost? Just $5 a day with EZSubPlans. Click here for more information about EZSubPlans or click here to preview or purchase at TeachersPayTeachers.

Testing Absurdity

When I first started teaching thirty years ago, the state test was a pencil and paper bubble test. It was spread over a three day period, one hour at a time. The results came back a few weeks later and they were used to inform practice. If our students showed weakness on, say, “locating information,” we knew where we needed to beef up our instruction.  I have no issue with testing students in such a way. These days, however, standardized testing seems to be cumbersome, expensive, bureaucratic, punitive, and time-consuming.              

Frankly, it’s absurd.

At my schools we’re trying to compensate by cramming in all the enjoyable and authentic learning experiences we can. Right now our students are deeply engaged in The Checkbook Project, my free financial literacy / behavioral management / practical math system. Students in our 4th and 5th grade classes have been managing their bank accounts since mid-February, renting or purchasing their desk space, applying for jobs, paying taxes, and buying stuff at auction. As we head into the final trimester, they’ll be starting businesses, buying stocks, and donating to actual charities. This program dominates their every moment in class. When they’re well into adulthood, they’ll reflect on “Checkbooks” as a significant piece of their elementary education.

Our Fact Car Rally Race math facts program is winding down. About a third of the students have either already crossed the finish line or are drawing near the checkered flag. Another third of the class is on pace to demonstrate mastery by year’s end. That leaves the remaining kids in need of tow trucks and roadside mechanics to help catch them up.

Of course, we’re also doing all the customary kinds of work: fractions, figures of speech, physical fitness—and writing. You know kids: they’ll limit their written responses to a single paragraph—or even a single sentence if they can get away with it. But that won’t do given the emphasis on writing multi-paragraph responses on that absurd state test mentioned earlier. So, we’re using my Perfect Paragraphs program to show kids how to expand single paragraphs into multi-paragraph essays. By teaching them how to use their “reason why” supporting sentences as topic sentences for the additional paragraphs, they’re better prepared for that darn test, and more importantly, their future school years.

Despite political controversy, we’re delving into slavery.  I’m convinced the likes of Harriet Tubman, Harriet Beecher Stowe, and Dred Scott should be and can be shared tactfully. Among other things, we’ll be reading my researched-based reader’s theater scripts about Box Brown and Juneteenth.   

Speaking of theater, we’re preparing a full stage presentation of my play The Nose, replete with a giant papier-mâché nose costume. It’s based on Gogol’s classic short story of the same name and it’s full of mind-bending humor about bureaucratic absurdity. It’ll take a couple of months to put it all together, but it’ll make for a mind-bending conclusion to a yet another school year full of silliness and absurdity—all the stuff kids remember after all that standardized testing has been forgotten.

To check out any of my programs for use this year or next, visit my storefronts at TpT or Etsy. Be sure also to visit my school page, DailyPlatypus.org.   

Happy directing!

Monster Plays for Spring

I recently surveyed my fifth graders about what they’d like more of. It probably won’t surprise you that “more Zoom” received zero votes. “More plays,” on the other hand, won hands-down. Sure it did! Whether in-person or remote, reader’s theater works. Plays teach kids to read purposefully and thoughtfully rather than merely for speed. They always have developmentally-appropriate parts for both your advanced readers and your most reluctant ones. And once parts are assigned, you don’t have to prompt kids to chime in. Best of all, plays are fun.

With my kids coming back to class, I want to have fun again, so I’m busting out my favorite monster play: Cyclops. It has some campy lines and a gruesome story, making it super appealing to kids (hint: Cyclops likes Greek food). Here are some other enjoyable plays for spring: Peter Rabbit (it seems too young for 5th and 6th graders, but they love doing it—especially when they get to perform it for youngers); How Jackie Saved the World (The Peanut Vendor and the Hot Dog Man emerge from the grandstands to tell Jackie Robinson’s story); And Fly Me to the Moon (it features Walter Cronkite stuffed inside a TV-shaped box!).

This time of year, many classrooms are focused on the American Revolution.  Though the subject matter is more serious, the plays are just as fun: The Secret Solider (how Deborah Samson disguised herself as a man in order to join the military); Girl. Fighter. Hero.  (“the female Paul Revere”); Betsy Ross: Fact or Fiction (more about examining historical proof than it is about Betsy herself); And Two Plays from the American Revolution (2 for 1–the bald eagle and the Liberty Bell).

I hope you’re as excited as I am to have kids back in class, but whether you’re in-person or remote, give my critically-acclaimed RT a try.  Most of it was originally published by Scholastic, it always comes with standards-based comprehension activities, and need I say it again? It’s fun! You kids will love it. Happy directing!

Ten Plays for Black History Month

February is Black History Month. While I encourage you to acknowledge it with some dedicated activities, I’m also reminded that black history is American history; it need not be limited to a single month! The end of the Civil War, Jackie Robinson’s breaking of baseball’s color barrier, and MLK’s “I Have a Dream” speech certainly rank among some of the most significant moments in American history. With that in mind, here are ten great paired texts with which to recognize Black History Month while also meeting numerous standards. All the plays are based on the given event–not it’s paired text (in most cases the play was published before the given book). That means each pairing represents distinctly unique points of view. Each includes a comprehension activity, too, and all were originally commission by or published in Scholastic’s Storyworks and Scope magazines, so they’ve been professionally vetted, making them the best reader’s theater available. Clicking on an image will take you to either my Etsy or TpT stores. You can also download free previews of each play on my Black History & Civil Rights page, and you’ll find FREE Google Docs versions of the comprehension quizzes on TpT. Happy directing!

Girl Power!

No, I’m not talkin’ fictional Powerpuff Girls, those bubble-eyed, oval-faced Cartoon Network kindergarteners (who by now must be middle-aged). I’m talking about  real young women from American history, young women who displayed exceptional courage and character under circumstances that would challenge even the strongest among us. These girls stand as positive examples for your students—even your boys.

Let’s start with Sybil Ludington. She’s known as the “female Paul Revere.” Although her story is less well known, her feat during the American Revolution may have been even more impressive. The play was first published in Storyworks (and then Scope) under the title “Girl. Fighter. Hero.”–the theme of this post!

“The Secret Soldier” is the story of Robert Shurtliff…er, Deborah Samson. Deborah disguised herself as a man (Robert) so that she could fight for independence during the American Revolution. She’s considered by many to be America’s first female member of the military.

And who can forget Claudette Colvin? Well, history did for nearly fifty years. Claudette was just fifteen when she was dragged off a Montgomery city bus for refusing to surrender her seat. Unlike Rosa Parks a year later, Claudette was convicted and then ostracized by her peers, by Civil Rights leaders, and by history. Her story has resurfaced thanks to Philip Hoose’s book, Twice Toward Justice.

Ruby Bridges and Sheyann Webb also demonstrated a ton of girl power. They were still elementary-aged kids when they made their courageous contributions to American history, but they’re stories are equally compelling. Ruby, of course, was that six-year-old-girl who integrated New Orleans public schools, while Sheyann was know as Dr. King’s “smallest civil rights crusader.” She, of her own volition, participated in the “Bloody Sunday” events in Selma, making her story a perfect fit for your MLK Day celebrations.

You can also find a bit of girl power in my historical-fiction plays, “Freedom for the First Time” and “MLK’s Freedom March.” Both have female leads and would be great for Black History Month this February. 

Many of these plays are available on TpT, with a few  only on Etsy. Because they’ve been previously-published in Scholastic classroom magazines, they’ve all been professionally vetted and edited, so you can count on them being of the highest quality. They usually include a Common Core-aligned comprehension activity, too, both in PDF and Google Forms.

So, if you’d like to empower your students with a bit of real girl power from American history, download some ReadAloudPlays today!

Happy directing!

How to Create that Interactive Vibe

I’ve heard many teachers lament that this online instruction deal isn’t what they signed-up for, yet here we are. What we miss most is that teacher-to-student interaction. That being the case, allow me to review a couple interactive activities that worked well in the spring.

“Zoom-Aloud” Plays

The Legend of Sleepy HollowThere’s still a place for reader’s theater in your remote instruction. During the spring, I had a lot of fun interacting with my kids using “Zoomer’s Theater.” I assigned parts to each of my “active” students, had them practice independently, and then met regularly via Zoom for rehearsals. The goal of each play was to eventually record them as “performances.” Granted, absenteeism and broadband speed caused glitches that required some patience, but in the end, I found I got a lot of favorable mileage out of each play. Not only did students tend to be more engaged than with regular reading assignments, they were usually willing to read and re-read their play repetitively, which not only improved their fluency, but filled hours of instruction time. Plus, unlike regular reading assignments, when I was done I had a sharable product: a performance that could be posted on my webpage or sent to parents.

This fall, I plan on keeping my expectations low for the first set of plays, but I think once my students see how they work and how much fun they are, the second set should be dynamite. I also think I’ll try having kids show up to their final Zoom session in costume, too. That should be a hoot! Note: it doesn’t matter whether you’re using Zoom or some other meeting platform. The only requirement is that you have some way to record and share your final session, even if just the audio.

I want to encourage you to give it a try, too. In grades 3 through 6 or maybe 7, start out with something simple. My Peter Rabbit play, Argument at Mount Rushmore, and Two Plays from the American Revolution are ideal. For October, try something more elaborate, such as any of my “Halloween plays” including my newest posting, The Legend of Sleepy Hollow. Pair it with The Birth-mark, The Monkey’s Paw, or The Tell-Tale Heart.

Almost all my plays were previously published in Scholastic classroom magazines such as Storyworks and Scope, so you know they meet the highest standards. Most also come with Common Core-based comprehension activities that have been digitized for online instruction.

Super Sentences

Super Sentences & Perfect ParagraphsPerhaps the most productive and rewarding element of my instruction in the spring was my Super Sentences program. It’s a straight-forward way to teach and practice writing on a daily basis, it doesn’t overwhelm kids, it’s fun, and it’s well-suited to Google Classroom. By the end of the spring, my students were spending 45 minutes in a live Classroom stream nearly every day, and each of these sessions produced more than 300 back and forth comments–student-to-student feedback about writing. To get the details, check out this post from last spring, then take a look at Super Sentences and Perfect Paragraphs on my TeachersPayTeachers store.

Happy directing (and interacting)!

Another Great Zoomer’s Theater Script!

The Necklace is a cautionary tale written in 1884 by French writer Guy de Maupassant. It tells about a young woman who, despite having a very comfortable life, is discontent. Her desire to appear wealthier than she actually is comes at a great cost. In the end she loses her comfort, beauty, and status. The play can be related to modern consumerism–how people today enslave themselves to debt while living beyond their means–but the story is mostly about honesty. It was originally published in Read Aloud Plays: Classic Short Stories (Scholastic 2010). What makes it unique is that it’s told from the perspective of an aloof, French-speaking cat (Maupassant) and his rodent sidekick (Flaubert). Scholastic also published other “aged-up” versions (meaning they had me re-write it without the Disney-treatment), but this version remains one my most well-liked plays, even among older students. It’s a great story to talk about irony, plot, and moral, and it’s a great way to promote student engagement and fluency while teaching to the Common Core standards. It includes parts for eight actors, and is best-suited for grades 4 through 8 as “Zoomer’s Theater,” radio drama/podcast, or short stage performance. It includes a comprehension quiz, embedded prompts, teacher notes, and answer keys. Like all my plays, the original purchaser is licensed to print a full class set every year for use in his or her classroom, and performance rights are included. You can preview and purchase it on my TpT storefront. Happy directing!

How to Use Super Sentences in Google Classroom

It’s easy to make the transition to remote instruction with Super Sentences. Here’s how:

Assign a specific time for your students to be online. While much of your home instruction may be independent work, the benefits of Super Sentences is the interactivity. The kids need to be online sharing their sample sentences and providing feedback to one another.

On Monday, introduce a new stream or thread in Google Classroom by typing the week’s given structure. For example, were I teaching structure #14, Command, I’d post this: “Commands give orders or directions, but they only require an exclamation point if they’re delivered in a commanding tone. For example, at the end of this lesson, your teacher may give you a command requiring only a period: Turn in your papers.”

In the same thread, type the sample sentence: “Take off your shower cap this instant or I’ll feed your liver and onions to the neighbor’s goat!”
Next, give the students three topics and invite them to post their own sentence. You’ll need to remind them to remain IN THE SAME THREAD. I’ve capitalized it because I’ve found students jumping threads is the death knell to online interactivity. This cannot be emphasized enough!
As students post their sentences, invite them also to comment on one another’s. I provide feedback by asking the class questions like “Can anyone help Chuck see what’s missing in his sentence?” Or, “Chuck is missing a key piece of punctuation. Can anyone spot it?” I also fire off compliments when I see a really great sentence such as, “Chuck’s sentence is awesome. Can anyone tell us why?” (Just added: here’s a screenshot of an actual thread with mu students; it ended up being about 80 comments long. Hopefully it’ll be legible enough to give you the gist of it.)

On Tuesday and Wednesday I repeat the same process, but I use one of the kids sentence as the example.

On Thursday, I have students post and submit their sentence on a Google Form. This is their weekly test. Have they learned the given structure? Were they able to write an error-free sentence? I grade these sentences and send each student feedback/corrections via Classroom.

Finally, on Friday I have my students post their corrected sentence on our class webpage. I create a post entitled “This Week’s Super Sentences.” Students post their sentences in the “comments” field.

Super Sentences was originally published by Scholastic. I’ve updated and made it available on my TpT storefront in various ala-carte volumes. Sentence structures range from simple sentences to things like “sentences containing a metaphor” and “sentences using commas in a series.” No, it’s not full blown essay writing (you’ll need Perfect Paragraphs for that), but it provides kids in grades 3 through 8 daily writing practice, leading them to develop that innate sense of sentence structure so important to reading and writing competence. It’s engaging because it uses their own writing as the lesson (as opposed to a traditional grammar text that offer stilted “Dick & Jane-type” sentences to correct). Give it a try. It’s inexpensive and come with reproduction rights (make sure you’re respecting copyright when posting online). Best of all, when this pandemic is over, you’ll have your complete PDF of Super Sentences to use no matter what the circumstances: in the regular classroom, in your computer lab, on Chromebooks, or remotely.

Take care, my friends!

Why You Need a Cardboard Box for Black History Month

Box Brown's Freedom Crate graphicIf you’ve never heard one of your students attempt a southern drawl you must give Box Brown’s Freedom Crate a whirl during Black History Month. Ever since I wrote it for Scholastic’s Storyworks magazine back 1999, Box Brown has always been a favorite among my students. Consequently my class learns and performs it almost every year. Even if you’re teaching in the Southern U.S.—where the dialect might not be so unique—there remain many compelling reasons to teach with this play.

Box Brown’s Freedom Crate is based on The Autobiography of Henry “Box” Brown. Henry was the slave who mailed himself to the North inside a wooden crate and lived—just barely—to tell the world about it. Why do kids like this play so much? The large cardboard box we use as the main prop is one reason It’s painted to look like an old-fashioned shipping crate and is just big enough for a moderately-sized fifth grader to climb inside. The student playing Henry disappears within it during Scene 4 and then discreetly exits while the curtains are closed. From there he appears to get battered as the box is tossed from wagon to train to steamer until it finally gets cracked open at the Anti-Slavery Society in Philadelphia. Henry then rises from his coffin only to quickly swoon away from exhaustion and dehydration. This is of course a dramatic moment in Henry’s true story, and one kids don’t soon forget.

There are also sound academic reasons to enact plays such as Box Brown’s Freedom Crate. For example, because kids are willing to read and reread their lines over and over again, Read Aloud Plays build reading fluency. The brain science behind this repetition suggests it actually forms the neural pathways that make reading possible. Read Aloud Plays are easily leveled and they provide the exposure to drama the new Common Core Standards demand. They also allow students to experience history “first hand,” which helps them to relate to people like Henry, to understand some of the heartache and suffering Henry might have felt. …Plus there’s still that whole southern accent thing.

Visit my storefront at TeachersPayTeachers to download a free preview of Box Brown or one of my other Black History plays about such important events and people as Ruby Bridges, Claudette Colvin, and the Day of Jubilee. I’ve used every one in my own classroom, and because most have been previously published in Scholastic classroom magazines, you can rest-assured they’re of the highest quality.

Box Brown’s Freedom Crate is suitable for 4th-8th graders and includes parts for from ten to twenty students depending on your needs. Hear Box Brown being performed by students by clicking on the “podcasts” tab, and to get the most out of your reader’s theater, be sure to download my free article entitled “Why Use Drama?” Happy directing!

Important Moments in American History

February is Black History Month. While I encourage you to acknowledge it with some dedicated activities, I’m also reminded that black history is American history; it need not be limited to a single month! The end of the Civil War, Jackie Robinson’s breaking of baseball’s color barrier, and MLK’s “I Have a Dream” speech certainly rank among some of the most significant moments in American history. With that in mind, here are ten great paired texts with which to recognize those great moments while meeting numerous Language Arts standards. All the plays are based on the given event–not it’s paired text (in most cases the play was published before the given book). That means each pairing represents distinctly unique points of view (Literature CCSS #6), making for livelier discussions and quality comparisons (CCSS Lit #7). And because these plays are based on real events, they’ll also satisfy CCSS Informational Text #6. Each includes a comprehension activity, too, assuring your students will satisfy numerous other standards as well. And because almost all my plays were originally commission by and published in Scholastic’s Storyworks and Scope magazines, they’ve been professionally vetted, making them the best reader’s theater on the market. Just click on the image to preview or purchase on my TeachersPayTeachers storefront. Happy directing!