What We Believe

As you head back to school you may find yourself in long-winded meetings wrestling over your institution’s “mission statement.” I hope you don’t have to go through such torture, but you might. The mission has always seemed pretty darned obvious to me: give kids the best academic experience possible. Done. Now can we get to work in our classrooms?

A reader recently asked me what our mission statement is at ReadAloudPlays.com. I guess they felt inclined to subject me to the same kind of torture their admin was inflicting upon them. Well, our mission is pretty straight forward: Craft plays scripts that teachers will want to use because kids love them and learn from them. Done.

But, I guess I can’t shake all those teacher inservice sessions in which admins demanded we define the meaning of every jot and tittle, that we crossed our t’s and dotted our i’s, that we really descended into that rabbit hole of core beliefs, because here I am defining what exactly we believe at ReadAloudPlays.com.   

We believe that reader’s theater represents an excellent way to teach reading and engage students.

We believe that repetition leads to fluency. (See our free product citing the brain research.)

We believe scripts should be well-crafted. (I spent more than twenty years writing professionally for Scholastic.)

We believe in creativity. When I create a play, I’m trying to do something unique with it. We don’t believe AI can duplicate that.

Despite various benefits to AI (its ability to compile and summarize data, for example), we believe it will be detrimental to the arts.

We believe in live theater. We think live performances (of theater, music, etc.) will grow in demand due to the proliferation of AI-generated junk recordings and publications.

We believe standardized testing in its current form (a multi-billion dollar industry) is wasteful and unnecessary.

Though we believe in accountability, we don’t believe standardized tests accurately measure success. Nor do they hold all participants accountable (e.g. the students, their parents, and the community).

We believe “low performing” schools are reflective of struggling communities; not the other way around.

We believe voucher schemes are designed to funnel tax money to private interests and give tax breaks to wealthy people.

We believe schools are not businesses and shouldn’t be viewed as such. (See Jamie Vollmer’s book, Schools Can’t Do It Alone.) 

We believe business “efficiency” is a myth. (According to Harvard Business School, 80 to 90 percent of all businesses fail due to inefficiency, mismanagement, or a lack of demand. Those that succeed do so mostly because they land upon a “viral” product or service, not because they’re efficient.)

We believe in libraries.  Communities with functioning library systems are historically safer, healthier, and better educated than those without.

We believe computers in schools should be extremely limited, that online programs are poor replacements for real human instruction. (See The Talent Code by Daniel Coyle)

We believe teaching requires highly dedicated people (like you!).

We believe that social media and video games are highly addictive and damaging to their users and that the decline of reading is directly correlated to the growth of digital devices. (See The Anxious Generation by Jonathan Haidt.)

We believe the standard social media algorithm is damaging to society and should be restricted.

We believe in respecting copyright. We only create plays from material in the Public Domain or for which we have explicit license.

So there you have a long-winded, in-depth mission statement that’d make any administrator call for a second in-service session in November (right when report cards are due). But at least you have an idea where we stand.

Suffice it to say, when we create a play, we’re thinking first about how kids will enjoy it, secondly about what they’ll learn from it, and thirdly about how useful it will be to the teacher. We’re not getting rich doing this (just as none of us went into teaching dreaming of $$$). We’re doing this because we believe in the power of reader’s theater plays. If you’re into that, check out all the great stuff we have for back to school such as fun introductory plays like our Winnie the Pooh collection, The Sky is Falling, and Cyclops: The Monster in the Cave.

You Deserve a Chill Conclusion!

“I experienced all the emotions. I laughed. I cried. I got angry. It was wonderful!”

No, this wasn’t a teacher summarizing her school year. This was an adult viewer of our recent fifth grade performance of “The Mouse, the Bird, and the Sausage.” But over the course of a full school year, I have no doubt you’ve experienced all the emotions, and if you’re approaching the conclusion of your year, you deserve to experience some joy. One way is to chill out with some end-of-year reader’s theater.

Our plays are masterfully crafted to make your students laugh, cry, and get angry… okay, mostly just laugh.  And for you, the teacher, these plays are easy time fillers. Devote 45 minutes or so to a single reading, or better yet, read it three or four times over a week for an impromptu in-class performance. Up the stakes by splitting the class into two or three groups and assigning each a different play. All you have to do is print copies and divvy up parts, and voila! — that’s a week’s worth of enjoyable language arts time! Along with Sausage, here’s a few recommendations:

Goldi Locks Home Reno – Our heroine wants to renovate your home!

The Pied Piper Slightly Twisted – the Revenge of the Rats!

The Nose – Gogol’s absurd story about . . . a runaway nose?

How the Elephant Got Its Trunk – From the Jungle Books

Barbed Wire – A rootin’ tootin’ cowhand version of Maupassant’s classic, A Piece of String

Toad’s Wild Ride – Even better than the Disneyland ride!

Nature Talks Back – talking trees and “killer” insects

And many others, too!  Or, if you’re looking for something more poignant, consider our Juneteenth play, Freedom for the First Time, or Stolen Childhoods, our wonderful script about Lewis Hine’s effort to end child labor a century ago. Our Newsies play is also a great season-ender. Whichever route you take, know that our plays are authentic, human made literary works, they’re kid-tested, and despite costing just four bucks, they all include basic performance rights and a comprehension activity.

Thanks for all your hard work this school year. Finish it up in style! Happy directing!

“Sausage? You’re alive?”

Grimm Fairy Tales are indeed grim. Grandmas get eaten, apples get poisoned, children get fattened up for supper… But it doesn’t have to be that way. At ReadAloudPlays.com we’ve taken one of Grimm’s most disturbing tales and turned it into something quite delightful.

In the original story called, “The Mouse, the Bird, and the Sausage,” three roommates (yes, Sausage is one of them) have a happy and contented life until Bird meets another fowl who convinces him that he’s doing too much of the hard work. He goes back and demands change, which results in the sausage getting eaten by a dog, the mouse getting boiled in their kettle, and the bird drowning in a well. Imagine having your third graders enact that!

We couldn’t—so we rewrote it.  And now, having just produced it with a small group of fifth graders, I’m kind of thinking it may just be the best play we offer!  Read on to find out how to view our recording of it!

Our version calls for music support, that is, each character has a “walk up” song. With some guidance from me, the students selected pieces such as Who Let the Dogs Out for Dog’s entrance (of course they did!), and a slice of Pavarotti for our Italian Sausage, and for the crows, a German punk hit by Rammstein. Along with some simple but clever costuming and a few props, the play was engaging from beginning to end.

My dog actor did a good job of learning her lines and delivering them in Dog’s deadpan, aloof manner, but she’s shy and unassuming. I wanted her to enter the performance all frisky-like, to jump around the audience, to sniff first graders, but she just couldn’t do it. That is, not until I got her a squeaky dog toy shaped like a bone!  You can watch her and her fellow thespians perform the play on my public school site, The Daily Platypus. The simple recoding comes via a helpful parent (my Ipad decided to quit midway through the first act). You’ll see how each character entered and how our version remains faithful to the Grimms while being a blast to perform. To give you even more insight, we also recorded several important scenes without the audience. You’ll find them at DailyPlatypus.org as well.

The “walk-up” music we used includes Kali Flowers by Chris Joss for Mouse, Build a Nest by Earth, Wind & Fire for Bird, and Pavarotti’s Saint Lucia for Sausage. We also used Sehnsuct by Rammstein for Crow and the afore mentioned Who Let the Dogs Out for Dog. We used Stan Kenton’s morose version of Saint Lucia for Mouse’s boiling scene, and we reprised Kali Flowers for our conclusion. The music was edited for length in Audacity, but your sound person could simply fade out or pause each tune during your show. And don’t forget, you can select any music you want!

We decided to make all our sets black with silver outlines, which made for a cool Grimm-like essence. Our DIY paper masks came from Etsy sellers. The most challenging component of the play (aside from getting young actors to project their voices), was creating a costume for Sausage. It was well worth the extra effort. Here we are almost a week later and younger kids are still approaching the girl who played Sausage and saying, “Sausage, you’re alive?” and then telling her how great she is. She and the rest of the cast have all become celebrities!

Your students can experience the joy of celebrity too!  The Mouse, the Bird, and the Sausage, along with seventy other exceptional readers theater scripts, are available on our TeachersPayTeachers storefront. Each one has been carefully crafted by real humans and then kid-tested by real kids. Plus, they come with teacher notes, comprehension activities, and limited performance rights.

Happy directing!

Dragon Poet Trumps State Tests!

What better way to celebrate Spring than to watch evergreens named Bill, Otto, and Luther come to life, . . . Or Mr. Toad hit the open road in his caravan . . . Or Jackie Robinson belt a triple.  At ReadAloudPlays.com we have a host of engaging readers theater play scripts to counteract those test-taking spring time blues. Take our newest script, The Reluctant Dragon, Kenneth Grahame’s classic story about a poetry-spouting dragon who must face-off against the heroic knight, Sir George. It’s loaded with action, character, and vocabulary—and like all our scripts, it’s been kid-tested, so we know your students will love it. It’s a perfect addition to your National Poetry Month activities!

Nature Talks Back is another fun one. It’s an awesome Earth Day activity or simply a great play to teach environmental concepts such as beneficial insects and plant communication. I recently used it with a class of fifth graders who, after working on it for three days, presented it with huge grins to a class of smiling third graders! What a kick!

And of course, it’s baseball season! Our Jackie Robinson play is simply exceptional. Narrated by the hot dog man and the peanut vendor at a modern Yankees game (sorry Red Sox fans), it shows the significance of Jackie Robinson’s breaking of the color barrier in a way that’s both powerful and fun. I dare say, you won’t find a better Jackie story anywhere!

These and other professionally-crafted and uniquely-imagined scripts such as Chicken Little, Grimm’s The Mouse, the Bird, and the Sausage, and Goldie Locks: Home Reno, are all available on our TpT storefront.  

Thank you for your recent 5-star reviews, Rachel R., Chalk Dust & Holy Water, Masters-ful Materials, Jennifer B., Reyes Royals Designs, Savvy Classroom, Melissa G., Nancy R., Ruby R., Sharla S., Shannon R., Augusta S., Emily W., Ebony L., Alissa M., Gretchen F., and Melissa C. from North Carolina who shared this:

This resource was easy to use and very well organized. The directions were clear, and it fit perfectly with my 7th grade curriculum. My students stayed engaged, and it helped reinforce the skills we were working on. I will definitely use this again! Highly recommend for teachers looking for a ready-to-use activity.

Happy directing!

Save Children by Banning Snake Oil Tech

In a recent court appearance Mark Zuckerberg testified that there isn’t any research to substantiate claims that his “product” is addictive or harmful to kids. Yet, there’s a ton. And all of us in education shouldn’t just be taking note—we should be taking action.

Jonathan Haidt’s book, The Anxious Generation connects numerous studies proving screen time “rewires” children’s’ brain in dangerous ways. A recent 15 year study in Canada adds additional clarity: screen time is bad for kids.

Yet in every classroom I visit, screens have become a significant element of instruction.

To be clear, I’m not talking about using computers as “tools.”  Word processing, doing research, and communicating with families may indeed be appropriate uses. But, according to the research, programs that replace instruction are not.  As one recovering tech addict put it, they’re so chock full of artificial stimuli, real books can’t compete. Once indoctrinated in screen-based “learning,” students are unable to tolerate reading a paragraph in a text book or writing a sentence that doesn’t include an emoji. In short, they become non-readers.

Covid has been a convenient scapegoat for both low achievement and high anxiety, but if there’s one thing the pandemic taught us, it’s that screen-based learning didn’t work. Despite returning to regular school, test scores and suicide rates show that the nation’s children are not recovering from spending that year on screen-based programs. That’s because it wasn’t Covid that caused all the problems—it’s that we’ve doubled-down on screens, both at home and in school.

Today our school districts are spending gobs of money on snake oil tech ($30 billion in 2024). All that money spent on one-to-one devices and online programs such as Asselus and disLexia would be put to better use creating extra-curricular opportunities for kids, enhanced support staff scheduling, teacher salaries, improved prep time, or authentic reading instruction. Instead, the only real beneficiaries are the tech companies. Not school districts. Not teachers. And certainly not kids.

On top of the ginormous direct profits, Big Tech is also profiting from data mining.  Everything about you, your students, and your school is being stored on a server somewhere in the high desert of Central Oregon or the low valleys of Northern California and then sold to other companies that want a piece of your pie. Educators have long been concerned that their job security might someday hinge on student test scores, but imagine, too, a future where one of your former students applies for a job or fills out a college application or runs for political office only to have their low performance on an Aimslow or Zurn test way back in third grade sabotage their opportunity. (Yes, we purposely misspelled those to disparage the guilty!)

So what can we do? It’s time to reject screen-based learning. All of it. I know these programs can give overwhelmed teachers a bit of a break, but the studies show it’d be better to give your students time to simply draw, color, or read than to log in. Me, I’m making a commitment to stop relying on tech and I challenge you to do the same.

Because administrative initiatives almost always fail, a ban on screens needs to be organic. It needs to start with teachers rejecting tech and teachers encouraging parents to reject tech at home.  

Not convinced? Read Haidt’s book, The Anxious Generation, or Catherine Price’s book for teens and pre-teens, The Amazing Generation. Watch the 2024 documentary The Cost of Convenience. And share this article from Bloomberg about the Canadian study. Send these things to your board members and your open-minded admins. (In my school, we started seeing change merely by giving Haidt’s book to our principal.)

Here at ReadAloudPlays.com, we’re decommissioning our Google Forms products, the free comprehension quizzes that go with our reader’s theater. They offer a bit of convenience to teachers and they incentivize trying our play scripts, but because we believe our paper-based quizzes promote more authentic discussion, we’re moving on. We’re also making our own social media pages static.

Of course, we believe the best step any teacher can take is to utilize more “real” instruction—such as reader’s theater. In all the classrooms I visit these days, kids will almost always choose reader’s theater over screen-based activities. Visit our storefront at TpT to grab some exceptional play scripts, including our fun Chicken Little play panning social media.

Happy directing!

There’s Still Time to Commemorate BHM

February is Black History Month. While I encourage you to acknowledge it with some dedicated activities, I’m also reminded that black history is American history; it need not be limited to a single month! The end of the Civil War, Jackie Robinson’s breaking of baseball’s color barrier, and MLK’s “I Have a Dream” speech certainly rank among some of the most significant moments in American history. With that in mind, here are twelve great reader’s theater scripts with which to recognize those great moments while meeting numerous Language Arts standards. All the plays can be paired with a printed text, such as “The Ruby Bridges Story” with her autobiography, Through My Eyes.  Each pairing represents distinctly unique points of view (Literature CCSS #6), making for livelier discussions and quality comparisons (CCSS Lit #7). And because these plays are based on real events, they’ll also satisfy CCSS Informational Text #6. Each play includes a comprehension activity, too, assuring your students will satisfy numerous other standards as well. And because almost all my plays were originally commission by and published in Scholastic’s Storyworks and Scope magazines, they’ve been professionally vetted, making them the best reader’s theater on the market. Visit ReadAloudPlays.com for detailed pairings, or click on the title to preview or purchase on my TeachersPayTeachers storefront. Happy directing!

The Ruby Bridges Story

Box Brown’s Freedom Crate: His True Story of Escape

The Library Card: Richard Wright’s Journey to the Promised Land

How Jackie Saved the World: Jackie Robinson’s Breaking of the Color Barrier

Freedom for the First Time: The Day of Jubilee and the End of the Civil War

We Shall Overcome: The Birmingham Children’s Crusade

I Have a Dream: The Childhood of Martin Luther King, Jr.

Gonna Let it Shine: The Selma to Montgomery March

MLK’s March on Washington

Sitting Down for Dr. King: The Greensboro Lunch Counter Sit-Ins

In the Jailhouse with Dr. King: The Montgomery Bus Boycott

The Girl Who Got Arrested: The Claudette Colvin Story

MLK Day and Black History Month

Now’s the time to start working on classroom activities commemorating Dr. King’s work. This compelling video featuring two inspiring plays from the ReadAloudPlays.com catalogue is a great place to start. The Palace Youth Theater put it together during the pandemic shut down. Share it with your students and then read or act out the plays. The first shows how Ruby Bridges broke the color barrier in New Orleans public schools. The second shows how MLK’s childhood inspired his civil rights leadership. You’ll find both plays, along with many other titles for Black History Month, on our TpT Storefront. Thanks, and happy directing!

Here’s Help for that Holiday Chaos!

The weeks between Thanksgiving and Christmas vacation can be real doozies. While thoughts of sugar plums may not derail that lesson you’ve been planning on verb gerunds, knowing there are new gaming systems, cell phones, and hover boards under the tree certainly will. There’s no doubt about it: this time of year the kids are all a twitter, prompting many a teacher to set aside serious content in favor of coloring pages featuring Rudolph, Frosty, or an occasional dreidel. But it needn’t be so. This is a great time to stage a play!  In so doing your students will get some quality fluency practice, partake in some interesting literary discussions, and, depending on how far you want to take it, occupy themselves with meaningful work creating sets, props, and costumes. And given that Christmas will be upon you in a flash, now is the time to get started, especially if you’re following our repetitive reading approach. Here are five classroom reader’s theater scripts ideal for the next few weeks.

A Christmas Carol—Our best-selling script! Scrooge in two forms!

The Gift of the Magi—A young couple trades their most precious possessions to celebrate Christmas in O. Henry’s famous story!

Gabriel Grub –When the gravedigger shows an unrepentant disdain for Christmas, he’s put on trial in an  underworld court room full of goblins. It’s Dickens’ spookiest Christmas story!  

The Shoemaker and the Christmas Elves—Facing ruin, the shoemaker is saved by a Christmas miracle in this Grimm Brothers classic with our unique conclusion.

Christmas in Many Lands— Gnomes and reindeer, trees and piñatas . . . it seems like Christmas everywhere is different yet somehow still the same! Our newest and most adorable little Christmas play about Christmas around the world.   

Whether a single play or one of our money-saving bundles, these will be the highlight of your holiday teaching season! Check them out in our TpT store.  Happy directing and Merry Christmas!  

It’s Time to Get Those Holiday Plays Rolling!

Using Readers Theater to Honor Veterans