Plays and Paired Texts for Black History Month

Here are ten compelling paired texts with which to recognize black history month while meeting numerous Language Arts standards. All the plays are based on the given event–not it’s paired text (in most cases the play was published before the given book). That means each pairing represents distinctly unique points of view (Literature CCSS #6), making for livelier discussions and quality comparisons (CCSS Lit #7). And because these plays are based on real events, they’ll also satisfy CCSS Informational Text #6. Each includes a comprehension activity, too, assuring your students will satisfy numerous other standards as well. And because almost all my plays were originally commission by and published in Scholastic’s Storyworks and Scope magazines, they’ve been professionally vetted, making them the best reader’s theater available. Only six of the ten are shown here–just click on the image to preview or purchase on my Etsy or TeachersPayTeachers storefront. Also be sure to check out these recorded performances of “Martin’s Big Dream” and “Ruby Bridges: A Simple Act of Courage” by The Palace Youth Theater. Happy directing!

Ten Plays for Black History Month

February is Black History Month. While I encourage you to acknowledge it with some dedicated activities, I’m also reminded that black history is American history; it need not be limited to a single month! The end of the Civil War, Jackie Robinson’s breaking of baseball’s color barrier, and MLK’s “I Have a Dream” speech certainly rank among some of the most significant moments in American history. With that in mind, here are ten great paired texts with which to recognize Black History Month while also meeting numerous standards. All the plays are based on the given event–not it’s paired text (in most cases the play was published before the given book). That means each pairing represents distinctly unique points of view. Each includes a comprehension activity, too, and all were originally commission by or published in Scholastic’s Storyworks and Scope magazines, so they’ve been professionally vetted, making them the best reader’s theater available. Clicking on an image will take you to either my Etsy or TpT stores. You can also download free previews of each play on my Black History & Civil Rights page, and you’ll find FREE Google Docs versions of the comprehension quizzes on TpT. Happy directing!

How to Use Super Sentences in Google Classroom

It’s easy to make the transition to remote instruction with Super Sentences. Here’s how:

Assign a specific time for your students to be online. While much of your home instruction may be independent work, the benefits of Super Sentences is the interactivity. The kids need to be online sharing their sample sentences and providing feedback to one another.

On Monday, introduce a new stream or thread in Google Classroom by typing the week’s given structure. For example, were I teaching structure #14, Command, I’d post this: “Commands give orders or directions, but they only require an exclamation point if they’re delivered in a commanding tone. For example, at the end of this lesson, your teacher may give you a command requiring only a period: Turn in your papers.”

In the same thread, type the sample sentence: “Take off your shower cap this instant or I’ll feed your liver and onions to the neighbor’s goat!”
Next, give the students three topics and invite them to post their own sentence. You’ll need to remind them to remain IN THE SAME THREAD. I’ve capitalized it because I’ve found students jumping threads is the death knell to online interactivity. This cannot be emphasized enough!
As students post their sentences, invite them also to comment on one another’s. I provide feedback by asking the class questions like “Can anyone help Chuck see what’s missing in his sentence?” Or, “Chuck is missing a key piece of punctuation. Can anyone spot it?” I also fire off compliments when I see a really great sentence such as, “Chuck’s sentence is awesome. Can anyone tell us why?” (Just added: here’s a screenshot of an actual thread with mu students; it ended up being about 80 comments long. Hopefully it’ll be legible enough to give you the gist of it.)

On Tuesday and Wednesday I repeat the same process, but I use one of the kids sentence as the example.

On Thursday, I have students post and submit their sentence on a Google Form. This is their weekly test. Have they learned the given structure? Were they able to write an error-free sentence? I grade these sentences and send each student feedback/corrections via Classroom.

Finally, on Friday I have my students post their corrected sentence on our class webpage. I create a post entitled “This Week’s Super Sentences.” Students post their sentences in the “comments” field.

Super Sentences was originally published by Scholastic. I’ve updated and made it available on my TpT storefront in various ala-carte volumes. Sentence structures range from simple sentences to things like “sentences containing a metaphor” and “sentences using commas in a series.” No, it’s not full blown essay writing (you’ll need Perfect Paragraphs for that), but it provides kids in grades 3 through 8 daily writing practice, leading them to develop that innate sense of sentence structure so important to reading and writing competence. It’s engaging because it uses their own writing as the lesson (as opposed to a traditional grammar text that offer stilted “Dick & Jane-type” sentences to correct). Give it a try. It’s inexpensive and come with reproduction rights (make sure you’re respecting copyright when posting online). Best of all, when this pandemic is over, you’ll have your complete PDF of Super Sentences to use no matter what the circumstances: in the regular classroom, in your computer lab, on Chromebooks, or remotely.

Take care, my friends!

Important Moments in American History

February is Black History Month. While I encourage you to acknowledge it with some dedicated activities, I’m also reminded that black history is American history; it need not be limited to a single month! The end of the Civil War, Jackie Robinson’s breaking of baseball’s color barrier, and MLK’s “I Have a Dream” speech certainly rank among some of the most significant moments in American history. With that in mind, here are ten great paired texts with which to recognize those great moments while meeting numerous Language Arts standards. All the plays are based on the given event–not it’s paired text (in most cases the play was published before the given book). That means each pairing represents distinctly unique points of view (Literature CCSS #6), making for livelier discussions and quality comparisons (CCSS Lit #7). And because these plays are based on real events, they’ll also satisfy CCSS Informational Text #6. Each includes a comprehension activity, too, assuring your students will satisfy numerous other standards as well. And because almost all my plays were originally commission by and published in Scholastic’s Storyworks and Scope magazines, they’ve been professionally vetted, making them the best reader’s theater on the market. Just click on the image to preview or purchase on my TeachersPayTeachers storefront. Happy directing!

There’s Still Time for Some Halloween Monstrosities!

Cyclops Scope cover Scope Monkey's Paw cover The Birthmark scope cover page

It’s not too late to stage a Halloween drama fest. Here are half-a-dozen plays that will allow your students to dress in costume while still doing something academically valid. And if Thursday’s festivities are too packed or to near, there’s nothing wrong with staging these monstrosities on that awkward, sleepy, problematic day-after.

Click here for Halloween Madness!

Penelope coverString coverNathaniel Hawthorne’s short stoy classic, The Birth-mark, tells the story of a mad scientist who, in his quest to make his already beautiful bride “perfect,” kills her instead. The Monkey’s Paw is W.W. Jacobs’ classic Gothic tale about getting three wishes. The disturbing result will stay with your students long after Halloween has passed. The well-known Legend of Sleepy Hollow is available in my book, Read Aloud Plays: Classic Short Stories (you can purchase and download it instantly at Scholastic Teacher Express). Pair it with YouTube segments from the original Disney flick. My newly re-released version of Poe’s The Tell-Tale Heart can be paired with my modernized version, Penelope Ann Poe’s Amazing Cell Phone. (At least one of my reader’s has commented that it’s “too strange,” which I think makes for great Halloween fun.) Finally, A Piece of String has a ghostly conclusion and Cyclops has a ferocious monster. All of these plays were originally published in Scholastic classroom magazines such as Scope and Storyworks from which some of the above coveres originate), so you know they’re up to snuff, and they all come with reproduction and performance rights.

Ready to give it a try but unsure how to start? Download my free guide to teaching with plays. It’ll give you tips and ideas on how to use plays to make your language arts block the best section of the day. But get to it right away…those ghouls and goblins are already knocking at your door.

Happy Halloween and happy directing!

10 Compelling Paired Texts for Black History Month

Here are ten great paired texts with which to recognize black history month while meeting numerous Language Arts standards. All the plays are based on the given event–not it’s paired text (in most cases the play was published before the given book). That means each pairing represents distinctly unique points of view (Literature CCSS #6), making for livelier discussions and quality comparisons (CCSS Lit #7). And because these plays are based on real events, they’ll also satisfy CCSS Informational Text #6. Each includes a comprehension activity, too, assuring your students will satisfy numerous other standards as well. And because almost all my plays were originally commission by and published in Scholastic’s Storyworks and Scope magazines, they’ve been professionally vetted, making them the best reader’s theater on the market. Just click on the image to preview or purchase on my TeachersPayTeachers storefront. Happy directing!

Eerie Reader’s Theater for Halloween

Harry_Clarke_The_Tell-Tale_HeartFairies waving candied wands… Goblins drooling chocolate malt… Halloween has such a bizarre place in our classrooms. In my school it’s been informally “banned,” though the kinders still get to parade through the school in their costumes, and the rest of the student body gets to have an afternoon “party” that presumably has nothing to do with ghouls and ghosts. Personally, I like “Monte Carlo Day,” a party in which kids set-up, run, and risk candy tokens at a variety of “probability games” such as Roulette, 21, and the Shell Game. The kids still get their candy fix, but at least there’s a bit of math involved.

An even better approach to Halloween is to replace your parades and parties with a collection of play performances. Kids still get to dress up, you can serve treats at the performance, and it’s not only academically valid, but a fine way to satisfy standards. A trio of plays takes a few weeks to prepare and an afternoon to perform. You can also invite other classes to attend, thereby helping your colleagues with their Halloween alternatives.

I have a number of Read Aloud Play titles that are perfect for Halloween. The Birth-mark, which is a classic short-story by Nathaniel Hawthorne, tells the story of a mad scientist who, in his quest to make his already beautiful bride “perfect,” kills her instead. The Monkey’s Paw is W.W. Jacobs’ classic Gothic tale about getting three wishes. The disturbing result will stay with your students long after Halloween has passed. The well-known Legend of Sleepy Hollow is available in my book, Read Aloud Plays: Classic Short Stories (you can purchase and download it instantly at Scholastic Teacher Express). Pair it with YouTubeThe Birthmark scope cover page segments from the original Disney flick. You’ll also find Poe’s The Tell-Tale Heart in the same book, which can be paired with my modernized version, Penelope Ann Poe’s Amazing Cell Phone. (At least one of my reader’s has commented that it’s “too strange,” which I think makes it a lot of fun for Halloween.) Finally, A Piece of String has a ghostly conclusion and Cyclops has a ferocious monster. All of these plays were originally published in Scholastic classroom magazines such as Scope and Storyworks, so you know they’re up to snuff, and they all come with reproduction and performance rights.

Ready to give it a try but unsure how to start? Download my free guide to teaching with plays. It’ll give you tips and ideas on how to use plays to make your language arts block the best section of the day. But get to it right away…those ghouls and goblins are already knocking at your door.

Happy Halloween and happy directing!

Pairing Plays & Picture Books for Black History Month

Focus on Common Core Point of View activity freeThe Common Core requires that we teach students to “evaluate authors’ differing points of view on the same historical event or issue by assessing the authors’ claims, reasoning, and evidence.” One way to do that is to pair Read Aloud Plays with developmentally-appropriate books and films so to compare and contrast point of view. Black History Month presents an ideal opportunity for the following pairings:

* The Disney movie, Selma, Lord Selma, and the Read Aloud Play, Gonna Let it Shine.
* My play from the Montgomery Bus Boycott, The Girl Who Got Arrested, and Phillip Hoose’s book about Claudette Colvin, Twice Toward Justice.
*Sitting Down for Dr. King, which depicts the Greensboro Lunch Counter Sit-ins of 1960, and Andrea Davis Pinkney’s book, Sit-in: How Four Friends Stood Up by Sitting Down.
* Peter Golenbrock’s book, Teammates, depicting the relationship between Jackie Robinson and Pee Wee Reese, and the Read Aloud Play, How Jackie Changed America.
* We Shall Overcome, my play about the Birmingham Children’s Crusade, and Cynthia Levinson’s non-fiction book, We’ve Got a Job: The 1963 Birmingham Children’s March.
*Days of Jubilee, by Patricia and Fredrick McKissack, and my play, Freedom for the First Time, which is based on slave narratives from the Civil War.
*The Read Aloud Play, Box Brown’s Freedom Crate, and Ellen Levine’s book, Henry’s Freedom Box.

To get your classroom discussion going, I’ve developed a simple short-answer comparison activity covering Craft & Structure (Literature item 6 and Informational Text item 6). You can download it for free here and use it with my plays and any paired text to satisfy these standards by having students “analyze multiple accounts of the same event or topic.”

Happy directing!

New Plays and Product Updates

Click on the cover to preview at TpTTeachersPayTeachers has grown immensely over the last decade. Back when I first started using it as a secondary market for my plays, products could be pretty simple. In fact, most were in black and white. These days there are a bazillion teacher-marketers selling product, so competition has become pretty fierce. Consequently, I’m constantly trying to update my Read Aloud Play packages and post new ones. Thanks to a couple of snow days here in southern Oregon, I was recently able to revamp several products. I’ve added comprehension activities, teacher notes, and answer keys to The Monkey’s Paw, W.W. Jacobs’ fabulous masterpiece about three wishes, The Birthmark, Nathaniel Hawthorne’s wickedly wonderful “mad scientist” story, and Cyclops, from Homer’s Odyssey. These three plays are perfect for introducing middle-schoolers to the otherwise difficult original stories. Whether you use the play before or after, student engagement and comprehension skyrocket when you pair the original with a play. But they’re also engaging stories for fourth and fifth graders to read and act aloud. (What could be better than your 5th grade Cyclops eating a bunch of 4th grade Greeks?) All three of these plays originally appeared in Scholastic classroom magazines, so they’ve been “vetted” by Scholastic’s professional editors. Add to that the new comprehension activities and they’re a fantastic deal.

I’ve also updated The Secret Soldier, which has previously appeared in both Scope and Storyworks. It’s the true story of Deborah Samson, the first woman to serve in the U.S. Military. Samson disguised herself as a man to enlist in the militia near the end of the American Revolution, was twice seriously wounded, and even performed surgery on herself to avoid being found out. It’s a must-have for any Revolution unit study. Like the other updated plays, it now comes with the additional support material—as do my other plays from the era. Be sure to check out Betsy Ross: Fact or Fiction, Two Plays from the American Revolution, and my newest product, So You Want to Be President. This last one is another “Two for One” pack. It comes with two of my favorite plays from my 2003 Scholastic title, Read Aloud Plays: Symbols of America, which is no longer in print. Both plays cover the history of the presidency and the character traits necessary to serve successfully. Given today’s political climate, they’re important additions to your history and reading curriculum, but they’re also a lot of fun to read and enact.

Finally, MLK Day and Black History Month are already upon us. If you haven’t yet read my earlier post about my Civil Rights and African-American history plays, be sure to scroll down and take a look.

Happy directing!

The End of Standardized Testing?

Click here to watch this TED TalkWe’ve been seeing it for the last year or so: the education pendulum on the verge of swinging. Standardized testing, Common Core standards, standards-based report cards (with all their annoying numbers), all being shown the door—or at least a dingy corner of the room. Enter, stage right, what I’m calling “purpose-driven instruction.” If you’re not familiar with it, check out this TED talk by education expert Sir Ken Robinson. He shows how the “factory model” of education created by the industrial revolution is outdated. The education documentary “Most Likely to Succeed,” which debuted not long ago at Sundance and is now in limited release, takes it a step further. It shows how “soft skills” such as critical thinking, collaboration, communication, and leadership need to be the focal point of instruction. Rather than having students memorize content (which is all readily available at our thumb-tips), we teach these soft skills through purpose-driven instruction.

Purpose-driven instruction involves having an end product. This end product determines the skills that need to be learned and provides the motivation to learn them. A person building a deck, for example, needs to know about the permit requirements, how to prepare the site, footings, measurement, using a chop saw, and a host of other things. Said person learns all this stuff, in a sense, “on the job,” while actually working on his or her deck. And because he or she is motivated to finish the project, said person is willing to learn the skills, even when it’s as uncomfortable as navigating the city’s building permit process. This person gains mastery through authentic application. (Sound like project-based learning, right? Sure, but keep reading.)

To teach those same skills independent of actually building a deck seems rather ludicrous, but it’s what we do in school all the time. For example, we typically teach calculus without any purpose other than that we might need to know it at some point in the future. No wonder kids ask, “Why do I need to know this?” And even when kids do “know it,” they usually don’t. The “Most Likely to Succeed” filmmakers demonstrate how even students who demonstrate assessed mastery forget pretty much everything within just a few months.

What’s all this got to do with Read Aloud Plays? Well, plays, by their nature, are purpose-driven. Simply by scheduling a performance and inviting an audience, a read aloud play becomes an authentic way to teach a host of “soft-skills.” Get this: in “Most Likely to Succeed,” a play performance is presented as the epitome of purpose-driven instruction and with amazing results (I can’t wait for you to see the documentary!). Plays are especially effective in that you can use them even with large classes (a fundamental symptom of our industrialized education approach). In any given month, I have my class of 34 split into three groups, each working on a play. Granted, these are rather simple performances. Sets are kept to a minimum, if at all, costuming is limited to just a few accessories to signify character (a parasol or a certain hat, for instance), and kids can carry their script in their hand if they want. But it remains that students must collaborate and cooperate, they must practice independently and as a team, and they must “finish” (the play must go on) regardless of broken legs, absenteeism, or fire bells. Students learn about subtle forms of communication such as inflection and innuendo, about body language and movement, all while happily developing their core reading skills. Instead of being forcibly required to read a text book, presumably to improve assessable fluency, they’re willingly—even eagerly—honing their fluency to present a successful performance. That’s a significant shift of the paradigm, as Robinson calls it.

With Read Aloud Plays, students can do more than just read and act, too. They can direct. They can build sets. They can write and adapt scripts. They can design and make costumes. They can create playbills. They can create tickets to the show. They can build online promos. They can create posters. They can film and post the video of the play online. They can serve as ushers. They can run a snack bar. They can write reviews. And, of special importance, they can self-evaluate and provide feedback. No letter grade, report card, or standardized test required.

Those of you who’ve been around for a couple decades have probably seen “purpose-driven instruction” under different names. And critical thinking skills certainly aren’t new to the education community. But whether you’re a proponent of project-based learning, student-led conferences, or reader’s theater who has had to fly under the radar of the standardized data miners, Read Aloud Plays are for you. Whether you’re someone looking to try something other than the text book, or someone who remains committed to teaching to the Common Core, Read Aloud Plays are for you. They’re a fantastic purpose-driven way to teach to the reading standards while simultaneously developing those essential “soft skills.”

Click on the Read Aloud Plays tab for access to a wide-variety of plays with focused content. You’ll find great classroom plays about explorers, the Revolution, Civil Rights, and more, or visit my store at TeachersPayTeachers. And if you haven’t yet seen “Most Likely to Succeed,” look for a screening near you.

Happy directing!