You Say It’s a Merry Christmas? Be Forewarned!

Christmas can be terrifying . . . especially if you don’t believe. That’s the theme-defining line from Gabriel Grub, Charles Dickens’ Gothic Christmas tale. It’s the story of a gravedigger whose disdain for the holidays results in his being put on trial by the Goblin King. It is a splendid story—and a splendid play–one of five holiday themed scripts available from ReadAloudPlays.com. (Click here to listen to what my fifth graders did with Gabriel Grub a few years ago.) Here are the others:

A Christmas Carol, adapted to be an ideal length for middle grade kids, comes with two versions—both the traditional one and a second in which Scrooge is a woman. Years ago, my students turned it into a movie. You can watch it here and use it as a preview for your own class play.

Escape from the Blacking House borrows from Oliver Twist and the Pickwick Papers to artfully tell the story of Dickens’ troubled childhood. It’s probably my most overlooked play, and it pairs perfectly with Christmas Carol. They can be downloaded as a package here.

We also have O’ Henry’s classic, The Gift of the Magi. It’s the story of an impoverished young couple who sell their most precious possessions in order to buy one another needless gifts.

Finally, we’re excited to add The Shoemaker and the Christmas Elves to our catalogue. The Brothers Grimm are known for dark, often violent stories, yet here is a delightful story with a Christmas theme. I think your students will thoroughly enjoy speaking elfin gibberish.   

Whatever the case, don’t let your December become terrifying. Whether you’re planning a full production or just need some scripts to make your in-class reading a bit merrier, now is the time to get started! Preview and download your holiday plays at my TpT storefront.

Happy directing!

The Miracle of Public Education

People like to talk about how there’s a Starbucks on every corner. Whether true or not, the Starbucks brand is impressive. In fact, there are about 16,000 Starbucks locations in the U.S. That’s really incredible!

Yet it’s totally junior varsity compared to America’s Public School System. While we’re all impressed by Starbucks, our School System has around 100,000 locations. One hundred thousand! That means we’re running six schools for every Starbucks. Now think about how much more challenging it is to run a school than a coffee franchise—let alone six schools—or how much more challenging it is to be a teacher than a barista.  

McDonald’s raves about how many burgers it’s served: “Billion and Billions” it says on its signs.  Well, on average, McD’s serves 6 1/2 million burgers per day. That’s an impressive number—unless you compare it to America’s Public School System. We teach 74 million students per day. Seventy-four million! That’s 11 kids for every burger sold. No matter how you pickle it, there’s no comparing frying up a burger to teaching eleven kids how to read, write, and calculate the surface area of a hamburger wafer. 

Yes, I know all these school districts and schools are “independent” entities, but so too is a Starbucks franchise. The fact is, given the enormous task of teaching, feeding, nurturing, and babysitting America’s kids, there is no corporation in the world that can compare with the American Public School System. None. Not even Amazon.

And yet, when surveyed, only 19% of Americans says our school system is doing a good job.  Wait. Stop the press. When those same people are asked about the school system in their own state, suddenly 44% say the schools in their own state are doing well. But hang on yet again! When those people are then asked about their local schools, 79% give them favorable grades. How can this be?

Setting aside media bias and political propaganda (there’s enough of that to cover every Big Mac ever made with a double portion of special sauce), it suggests that the closer one is to the action, the more they appreciate what’s going on. You see, we have a distant view of the school system as a whole, yet because own kids and grandkids go to the local school, we tend to be more aware and appreciative of all the hard work being done there.  At the local level, too, people tend to see the students and their families as accountable, not just the school itself, which leads us to the gist of this post. You see, there’s also research that shows the more involved one is as a parent, the better one’s child will do in school.

Well of course!

When parents read with their kids, check their homework, communicate regularly with the teachers, hold their children accountable, and validate report cards, kids do better.

When parents attend assemblies, chaperone trips, encourage their kids to participate, and insist that vacations be taken during actual vacation periods, kids do better.

Hands-on parenting benefits kids. Having done this gig for more than 30 years, I can attest to the validity of such research. 

Our schools are not without their problems, weaknesses, and failures. But our system of Public Education really is miraculous. Now, allow me to make a small connection to my specialty, reader’s theater.

One way to encourage parent involvement is to use plays. When given a play script to learn, your kids will be more likely to read at home, and their parents will be more likely to read with them. When you use plays, parents will want to be more involved, such as with set building and costuming.  And finally, when kids are going to be on stage, their parents are more likely to show up.

Encourage the parents of your students to be actively involved in the miracle of public school by producing a play. October is a great time to try one of my Gothic classics: The Monkey’s Paw, The Birth-mark, the Mad Scientist’s Daughter, and Tell-Tale Heart.

Happy directing!

Laugh Out Loud Plays

During my twenty years crafting plays for Scholastic, my assignments have nearly always been of a more serious nature.  The plays, usually about American history, civil rights, or classic short story plays, have typically been well-received, and having used all of them with my own students, I know kids thoroughly enjoy enacting them. Secretly, though, I’ve been yearning to write plays that elicit giggles, guffaws, and belly laughs. I know this because most of the recent titles I’ve crafted—these exclusively for my ReadAloudPlays.com brand— are what I would call “Laugh Out Loud Plays.”

Today I’m releasing two new ones, both crafted with student enjoyment foremost on my mind. The Goldilocks story has no doubt been done nearly to death, but I think my version is unique. Imagine Goldi as a television home renovation expert. With the help of her three little pig contractors, she dares to turn the bears’ dreary, worn out space into their “forever home.” If only the bears were in on it!

The second play, Barbed Wire, is a revision of Guy de Maupassant’s classic cautionary tale, A Piece of String. My editors at Storyworks once termed my String play the best thing I’d ever written (to that point in my career, I hope). String is still available on my TpT store, but there’s little doubt it’s more appropriate for middle school and up. It’s a great play, but again— kind of serious. By changing the setting to the Wild West, making the characters animals, and giving those characters a western dialect, I’ve aged it down while “funning it up.”  

My serious plays remain important. Plays are an exceptional format for introducing students to Claudette Colvin, the Birmingham Children’s Crusade, and Juneteenth. Stories from American history, such as that of the Secret Soldier and the burning of the White House, are a lot more memorable when taught through reader’s theater. And though archaic language is often a barrier to understanding classic short stories like The Monkey’s Paw and Tell-Tale Heart, acting them out gives students “a window of comprehension” and a willingness to engage.   

For certain, there are also important lessons embedded in my newer plays, but none more so than that reading, acting, and performing should be a ton of fun.  You and your kids will love enacting The Pied Piper, Nature Talks Back, The Nose, and now Barbed Wire, and Goldilocks. They’re all ideal for kicking off the school year. Take a gander on my TpT storefront. You can also see videos or hear podcasts of many of the plays—as performed by elementary kids—by clicking on the Performances tab.

Happy directing!

Why Your Students Can’t Pay Attention

When LeBron James drains a three-pointer, he gets more than a big chunk of change. He also gets a hit of endorphins. It’s this hit of hormones that makes him want to score again and again. I’m not a neurologist (nor even much of a brainiac), but I’ve read enough about neurotransmitters such as dopamine and serotonin to understand a bit of the brain science behind motivation. What happens in Lebron’s brain is the same thing we all experience when something gives us pleasure or excitement. It’s especially profound in the developing brains of our students. It’s what motivates a kid to learn to read, to pass tests, to win at wall ball, to make friends, and . . . to level up in Fortnite.

Video games, it seems, are designed to stimulate endorphin production. (So too are the algorithms in social media.) It is what makes video games addictive. In a typical video game, the early levels are easy. A player experiences immediate success and therefore an immediate dopamine hit. As the player advances to higher levels, success is harder to come by, but the player sticks with it because their brain is seeking those endorphins. The problem is that getting endorphins in an artificial environment such as a video game is fun and easy, which means it highjacks a person’s motivation to pursue endorphins in the real world. It’s why your video game addict often lacks the work ethic to become a voracious reader, to earn straight A’s, or to drain three-pointers. Small Spaces may be a great book, but it just can’t compete with Roblox.  

Johann Hari spells all this out in his book, Stolen Focus. He’s compiled vast amounts of research to show how addiction to devices is undermining not just education, but society as a whole. It’s a great read—and it’s especially applicable to educators.

Hari contends that today’s kids are being raised by devices from the time they’re born. When our toddlers need attention, instead of actually parenting we merely hand them a tablet. Neither parent nor child learn to deal with whatever the actual problem is because the device serves as a pacifier.

Hari also contends that ADHD is over-diagnosed. Chronic sleep deprivation due to Internet Gaming Addiction (IGA) is the root cause of classroom hyperactivity and focus issues.  Gamers over-stimulate their brain in the evening hours and consequently can’t fall asleep. Rarely do they reach REM sleep. The chronic fatigue manifests itself just like ADHD, but the solution isn’t daily doses of Ritalin; it’s as simple (and as hard) as turning off devices two hours before bedtime.

We’ve all heard the ed gurus telling us for a while now that kids with laptops, tablets, or cell phones will accomplish whole new levels of academic success. The pandemic, though, exposed the many flaws of such digital thinking, yet today, despite plunging test scores, alarmingly low literacy rates, decreasing motivation, and increasing hyperactivity, we’re still subjecting our kids to online platforms–many of which look a lot like video games.

Maybe it’s time we put away all the devices and got back to some fundamentals such as cursive handwriting (it does all kinds of great stuff in the brain), holding actual books in our hands, counting back change, using measuring tape, microscopes, and beakers.

And performing plays.

You can check out Stolen Focus at most any bookseller or public library. (I’m not including a hot link because I want you to know I’m recommending the book solely on its merits, but here’s as honest a review as you’ll ever find.) You can also check out my plays—most of which were originally published by Scholastic—in my TpT store. Consider welcoming kids back to school with my Winnie-the-Pooh reader’s theater. I’ve taken five of Milne’s best stories and crafted them as one-act plays, each with just 4 or 5 actors. Try splitting your class into small groups and have each learn and perform an act during the first week of school! They’ll love it!

Or, I suppose you could instead just assign them some more time on an online reading app.

(Don’t do it! Use a play!)

Happy directing!

Your Juneteenth Playlist

My most poignant play—and it’s perfect for celebrating Juneteenth! Based on actual slave narratives, Freedom for the First Time is historically-accurate, kid-friendly, and comes embedded with comprehension questions and historic photos. It’s the narrative of ten-year old Tyree, a slave during the time of the Civil War. Like many slaves, Tyree believes whatever her masters say. But when Tyree’s brother, Sweet Walter, arrives with a band of Union soldiers to tell her the war is over, she and her family experience their day of Jubilee, the day they know freedom for the first time. Pair it with Days of Jubilee, Patricia and Frederick McKissack’s exceptional non-fiction book about slavery and the Civil War. Click here to see the fantastic things the kids at the Baker Montessori School in Houston did with the script! It’s available on TpT and Etsy, and like all my plays, it includes performance rights. Be sure to also check out Box Brown’s Freedom Crate and Richard Wright & the Library Card. Happy directing!

Testing Absurdity

When I first started teaching thirty years ago, the state test was a pencil and paper bubble test. It was spread over a three day period, one hour at a time. The results came back a few weeks later and they were used to inform practice. If our students showed weakness on, say, “locating information,” we knew where we needed to beef up our instruction.  I have no issue with testing students in such a way. These days, however, standardized testing seems to be cumbersome, expensive, bureaucratic, punitive, and time-consuming.              

Frankly, it’s absurd.

At my schools we’re trying to compensate by cramming in all the enjoyable and authentic learning experiences we can. Right now our students are deeply engaged in The Checkbook Project, my free financial literacy / behavioral management / practical math system. Students in our 4th and 5th grade classes have been managing their bank accounts since mid-February, renting or purchasing their desk space, applying for jobs, paying taxes, and buying stuff at auction. As we head into the final trimester, they’ll be starting businesses, buying stocks, and donating to actual charities. This program dominates their every moment in class. When they’re well into adulthood, they’ll reflect on “Checkbooks” as a significant piece of their elementary education.

Our Fact Car Rally Race math facts program is winding down. About a third of the students have either already crossed the finish line or are drawing near the checkered flag. Another third of the class is on pace to demonstrate mastery by year’s end. That leaves the remaining kids in need of tow trucks and roadside mechanics to help catch them up.

Of course, we’re also doing all the customary kinds of work: fractions, figures of speech, physical fitness—and writing. You know kids: they’ll limit their written responses to a single paragraph—or even a single sentence if they can get away with it. But that won’t do given the emphasis on writing multi-paragraph responses on that absurd state test mentioned earlier. So, we’re using my Perfect Paragraphs program to show kids how to expand single paragraphs into multi-paragraph essays. By teaching them how to use their “reason why” supporting sentences as topic sentences for the additional paragraphs, they’re better prepared for that darn test, and more importantly, their future school years.

Despite political controversy, we’re delving into slavery.  I’m convinced the likes of Harriet Tubman, Harriet Beecher Stowe, and Dred Scott should be and can be shared tactfully. Among other things, we’ll be reading my researched-based reader’s theater scripts about Box Brown and Juneteenth.   

Speaking of theater, we’re preparing a full stage presentation of my play The Nose, replete with a giant papier-mâché nose costume. It’s based on Gogol’s classic short story of the same name and it’s full of mind-bending humor about bureaucratic absurdity. It’ll take a couple of months to put it all together, but it’ll make for a mind-bending conclusion to a yet another school year full of silliness and absurdity—all the stuff kids remember after all that standardized testing has been forgotten.

To check out any of my programs for use this year or next, visit my storefronts at TpT or Etsy. Be sure also to visit my school page, DailyPlatypus.org.   

Happy directing!

Plays and Paired Texts for Black History Month

Here are ten compelling paired texts with which to recognize black history month while meeting numerous Language Arts standards. All the plays are based on the given event–not it’s paired text (in most cases the play was published before the given book). That means each pairing represents distinctly unique points of view (Literature CCSS #6), making for livelier discussions and quality comparisons (CCSS Lit #7). And because these plays are based on real events, they’ll also satisfy CCSS Informational Text #6. Each includes a comprehension activity, too, assuring your students will satisfy numerous other standards as well. And because almost all my plays were originally commission by and published in Scholastic’s Storyworks and Scope magazines, they’ve been professionally vetted, making them the best reader’s theater available. Only six of the ten are shown here–just click on the image to preview or purchase on my Etsy or TeachersPayTeachers storefront. Also be sure to check out these recorded performances of “Martin’s Big Dream” and “Ruby Bridges: A Simple Act of Courage” by The Palace Youth Theater. Happy directing!

MLK Day and Black History Month Activities

If you’re like me, you put a bow on the holidays and then breathed a sigh of relief as you headed home for the two week break. But here you are back in class and MLK Day is already upon you!  You have no time to lose when it comes to planning your MLK Day and Black History Month activities!  So, let’s get right to the point of this post: ReadAloudPlays.com specializes in Black History Month and MLK plays.

In 2021, despite all the Covid-related restrictions, the folks at the Palace Youth Theatre in New Hampshire selected a couple of my plays to enact for Black History Month. I’ve posted the video here so that you can take a look. Just click on the image. Whether or not these two plays inspire you to download any of my material, I hope you’ll still share the video with your students. Consider having them watch the production and then read the plays. Or, simply have them follow along with the script while viewing.

The two plays shown are Martin’s Big Dream, which reveals how incidents from King’s childhood inspired his work, and A Simple Act of Courage, which shares the role Ruby Bridges played in integrating America’s schools. They’re both available in my TpT and Etsy stores.

You’ll also find numerous other plays told from the perspective of Civil Right icons like Jackie Robinson, Claudette Colvin, and Sheyann Webb. One of the hallmarks of a quality historical play for kids is that the story is told through the eyes of a child witnessing the events firsthand. These plays all meet that standard. 

A favorite of mine is MLK’s Freedom March, which is told through the eyes of  eleven-year-old Lucy. Her grandmother is dying of cancer, her father is worried about losing his job, and her brother is fired up about The March for Jobs and Freedom, the iconic event where Dr. King delivered his “I Have a Dream” speech. It’s a powerful play with multidimensional characters backed by King’s awe-inspiring speech.

If you don’t know where else to start, download my free product, Tips for Teaching Marginalized Voices and Traumatic Events.  

Thank you for continuing Dr. King’s work, and happy directing!

A Special Pooh Event!

Back in the days of the big three networks, a television special like Charlie Brown, Winnie-the-Pooh, or the Little Drummer Boy was a once-a-year event. I remember being mesmerized by those now-old Pooh specials of the 1960’s and 70’s. They introduced us to memorable stories such as Pooh and the Honey Tree and memorable characters such as Eeyore and Tigger. Though releasing my set of Pooh adaptations may not be the kind of event that’ll gather the family in front of the Zenith on a Sunday evening, I none-the-less think it’s still kind of special.

My adaptations include the five best stories from Milne’s 1926 work. I’ve packaged them as five individual “mini-plays.” Each play has just five or six cast members, which means they’re great for small groups. My fifth graders are having a blast with them, and I’m enjoying hearing their interpretations of Milne’s clearly-defined characters. In our case, each small group is staging two plays with the intent of gathering first and second grade kids “in front of the Zenith” some afternoon after winter break. I think your kids will love them too.

A.A. Milne published the original set of Pooh adventures way back in 1926, but even though they’re now in the Public Domain, recreating them as reader’s theater isn’t as straight-forward as it might seem. Disney, for example, still owns the copyright to everything post-1926. That includes Tigger, Pooh’s red shirt, and even the un-hyphenated version of Pooh’s name. Still, these five plays represent the best of Milne’s original work. They’re suitable for third grade and up (a strong group of second graders can probably handle them too), but they promote fluency in upper grades too. They come with comprehension activities, and they’re printed in my kid-friendly, easy-to-read format. Look for Pooh on my TeachersPayTeachers storefront.

Thank you for using Read Aloud Plays! Happy directing!

Have a Dickens of a Christmas!

We all know that last week before Christmas vacation can be a real bugger in the classroom. The kids get so worked up about yule logs and gingerbread houses (or, more truly, about the L.O.L. Doll Box or Nintendo Switch under the tree), they’re no longer able to see straight, let alone sit still for a geometry test. You can have one Dickens of a Christmas, though, by adding a couple holiday plays to your Santa letters and holiday art projects.

Charles Dickens, of course, is the undisputed master of Christmas-oriented literature, so allow me to share with you some nifty class plays based on his life and work.

Whether you plan to fully enact it or just play around with it during language arts class, my traditional, kid-friendly version of a Christmas Carol is a great place to start. Challenging for 3rd, but great for 4th-6th graders. If you want to take things a bit further, consider creating a movie version, or merely having your students adapt the play to their liking. A few years ago my fifth graders added extra dialogue, a few additional scenes, and a contemporary setting to my script to make this lovely sixteen minute film. Use it as an introduction to your work on the play (it’ll really motivate your students) or as a follow-up compare and contrast activity.

Consider pairing Scrooge with ol’ Gabriel Grub. This script is a spooky, Christmas tale about a grumpy grave digger who is dragged away on Christmas Eve by a group of wretched goblins. It’ll scare the dickens out of the younger kids, but your fourth through eighth graders will find it a fun and fascinating comparison to Scrooge. You can check out a radio pod cast my students created by clicking here.

Another Dickens classic comes from his novel, Great Expectations. My original play depicts the opening chapters. Though not explicitly about Christmas, it takes place on Christmas Eve when the orphaned Pip encounters an escaped convict on the marshes. It’s full of angst and adventure, but best suited for 6th through 9th graders (though a talented or motivated group of 5th graders could probably handle it, too.

Along with any of these, you simply must try my wonderful play about Charles Dickens’ childhood, Escape from the Blacking House. I think a great triple play Christmas show would use Blacking House as an introduction to Grub and Scrooge. But even if you merely want your kids to have more engaging access to some holiday stories, these plays are great just for in-class reading. (Build fluency be reading them twice.) All these plays, along with The Gift of a Magi and others, are available on my TpT storefront.

So if you want to have a great week before the vacation, put away that geometry test. Show your Christmas spirit with some holiday plays.

Happy directing!