Why You Need a Cardboard Box for Black History Month

Posted on February 16, 2020 by Mackowiecki

If you’ve never heard one of your students attempt a southern drawl you must give Box Brown’s Freedom Crate a whirl during Black History Month. Ever since I wrote it for Scholastic’s Storyworks magazine back 1999, Box Brown has always been a favorite among my students. Consequently my class learns and performs it almost every year. Even if you’re teaching in the Southern U.S.—where the dialect might not be so unique—there remain many compelling reasons to teach with this play.

Box Brown’s Freedom Crate is based on The Autobiography of Henry “Box” Brown. Henry was the slave who mailed himself to the North inside a wooden crate and lived—just barely—to tell the world about it. Why do kids like this play so much? The large cardboard box we use as the main prop is one reason It’s painted to look like an old-fashioned shipping crate and is just big enough for a moderately-sized fifth grader to climb inside. The student playing Henry disappears within it during Scene 4 and then discreetly exits while the curtains are closed. From there he appears to get battered as the box is tossed from wagon to train to steamer until it finally gets cracked open at the Anti-Slavery Society in Philadelphia. Henry then rises from his coffin only to quickly swoon away from exhaustion and dehydration. This is of course a dramatic moment in Henry’s true story, and one kids don’t soon forget.

There are also sound academic reasons to enact plays such as Box Brown’s Freedom Crate. For example, because kids are willing to read and reread their lines over and over again, Read Aloud Plays build reading fluency. The brain science behind this repetition suggests it actually forms the neural pathways that make reading possible. Read Aloud Plays are easily leveled and they provide the exposure to drama the new Common Core Standards demand. They also allow students to experience history “first hand,” which helps them to relate to people like Henry, to understand some of the heartache and suffering Henry might have felt. …Plus there’s still that whole southern accent thing.

Visit my storefront at TeachersPayTeachers to download a free preview of Box Brown or one of my other Black History plays about such important events and people as Ruby Bridges, Claudette Colvin, and the Day of Jubilee. I’ve used every one in my own classroom, and because most have been previously published in Scholastic classroom magazines, you can rest-assured they’re of the highest quality.

Box Brown’s Freedom Crate is suitable for 4^th-8^th graders and includes parts for from ten to twenty students depending on your needs. Hear Box Brown being performed by students by clicking on the “podcasts” tab, and to get the most out of your reader’s theater, be sure to download my free article entitled “Why Use Drama?” Happy directing!

Why this Play is Important

Posted on September 14, 2014 by Mackowiecki

Students will quickly connect with eight-year old Sheyann Webb. When African-Americans were being denied the right to vote, she became Martin Luther King’s “Smallest Freedom Fighter” by joining marches on the local courthouse. As the events in 1965 Selma, Alabama, escalated, Sheyann began sneaking out of the house to attend meetings at Brown Chapel. She was there, too, on the Edmund Pettus Bridge when Selma exploded with tear gas and Billy clubs. The event became known as Bloody Sunday, and it directly led to the signing of the Voting Rights Act of 1965. But what makes this story compelling is the perspective. We’re used to hearing about the Civil Rights struggle from the viewpoint of adults, yet here is the true story of a little girl who not only saw it, but was there on the front lines risking the same dangers as her adult counterparts. What better way to engage your students in the Civil Rights Movement!

My new play, “Gonna Let it Shine,” shares Sheyann Webb’s emotional, often frightening childhood experience. Carefully researched, it improves upon an earlier version that appeared in Storyworks in 2012. It’s important to your students because it’s a kid’s story. Your students will relate to Sheyann. They’ll admire her courage. They’ll wander if they’d have been as strong. And they’ll root for her, regardless of their own race. Most of all, they’ll be inspired by her. Sheyann will show your students that one doesn’t have to be a grown-up to have a grown-up influence on the world.

“Gonna Let it Shine” is available on my storefront at TeachersPayTeachers for preview or purchase. As with all my plays, the original purchaser is licensed to reproduce one class set per year for use in his or her own classroom.

Along with the play, I also created a free vocab and comprehension activity that aligns the play to specific Common Core standards. Be sure to share with your students the Disney movie, Selma, Lord, Selma. It depicts Sheyann’s story with typical Disney flare. There’s also an accurate and intriguing YouTube video detailing Sheyann’s contribution to Civil Rights that can be found here. Consider comparing and contrasting all three.

Finally, the Sheyann Webb of today has remained an advocate for children and civil rights. Find out more about her work by visiting the Sheyann Webb Group.

Happy Directing!

Text Books vs Read Aloud Plays

Posted on June 15, 2014 by Mackowiecki

Admit it. You’re using one of those big fat textbooks to teach reading, one of those monstrosities brought to you by publishers determined to make sure its refrigerator-box full of materials met every standard ever concocted in Texas, California, Pennsylvania, the U.S. Protectorates, and Saturn’s Ring. Too bad the kids are yawning.

If you’re like most people, the new Common Core Standards might have you a bit flustered. You can rely on those textbooks, which will provide certain coverage of the standards but will drive your students back to their video games, or you can delve into literature, classroom magazines, and reader’s theater, which will require more documentation on your part but will more likely create lifelong readers. The truth is, using what administrators like to call “supplementary material” is more engaging to students, more enjoyable to teach, and not so hard to justify against the CCSs. Consider this: “drama” is mentioned nearly fifty times in the Standards! That being the case, reader’s theater is more relevant than ever.

Here are just a few examples from the Reading Standards for Literature (RL) where drama or an element of drama is explicitly referenced:

RL4.5 — Explain major differences between poems, dramas, and prose….
RL5.4 — Explain how a series of chapters, scenes or stanzas fits together….
RL5.6 — Describe how a narrator’s or speaker’s point of view influences how events are described.
RL6.3 — Describe how a particular story’s or drama’s plot unfolds in a series of episodes….
RL7.3 — Analyze how particular elements of a story or drama interact.

And don’t assume that using drama is only useful in teaching drama. One user of my play adaption of the classic short story, The Monkey’s Paw, commented how reading the play helped her students comprehend the original text. Because plays have to break stories down to their essence, using adaptions of classic stories is likely to help students meet the RL standards for any number of otherwise challenging texts at the high end of the “complexity band” (RL4-8.10)

But plays also help students meet standards in Reading Fluency. Consider RF 4.4c—Use context to confirm or self-correct word recognition and understanding…. Because drama puts the reader in the moment, and because the playwright cannot waste words within a 20 minutes classroom script, students are more able to make immediate contextual connections. In fact, drama is ideal for improving reading fluency in general. Because it mimics the repetition beginning readers use when first learning to read, it actually forms new neural pathways. (Check out the brain research by Vgotsky and others, or for a shortcut, read my article “Why Use Drama.”)

Recently, a former student of mine provided a powerful endorsement of using drama to teach literature. I hadn’t seen this young man for over four years, but he told me he’d just been thinking of me the day before. He’d been sitting in his 8th grade English class yawning over yet another mundane text book assignment when his mind drifted back to my then-third grade classroom. “I was just thinking about hopping around our classroom stage when we did that Aesop’s Fables play,” he said. “I enjoyed that.” That seems pretty telling to me.

Ready to set aside that textbook for a while and give drama a try? You can find a wide variety of read-aloud plays at my TeachersPayTeachers store. Stock up on titles for the next school year. Nearly all my plays have been previously published in Scholastic classroom magazine’s such as Storyworks and Junior Scholastic, so you can rest assured that they meet the highest standards. Not sure how to make it all work? Click here. For samples of kids performing classroom plays click on the “podcasts” tab up top. And for still more validation of using drama to meet the CCSs, check out this article from the New York Times or this podcast from the folks at Literacy Special Interests.

Happy directing!