Pip & the Prisoner

Posted on August 22, 2019 by Mackowiecki

When most people think about Charles Dickens’ novel, Great Expectations, they land on Miss Havisham and her creepy old mansion full of spider webs, or on the adult Pip’s aspirations for greatness, or on his unrequieted love for Estella. But what I like best about the novel are those chapters focusing on Pip as a child. Maybe it has something to do with why I’m an elementary school teacher, or maybe it’s because there’s something Roald Dahl-like about Pip (no doubt Dahl was heavily inspired by Dickens), or maybe it’s just the marvelous way Dickens penned young Pip’s encounter with the escaped convict (How terrifying for a little kid—and an orphan, too—to encounter such a “wretched varmint,” and in a graveyard yet!). Whatever the case, I’ve long wanted to craft a play focusing on those early chapters of Great Expectations and am very pleased to introduce it here.

“Pip & The Prisoner” is an original script based on the first five chapters of the Dickens’ masterpiece. The script endeavors to introduce the main character, Pip, in such a way as to motivate students to want to read the full novel (presumably when assigned to them in high school), but whether Great Expectations is in one’s curriculum or not, I think you’ll find “Pip & the Prisoner” to be a lovely stand-alone bit of literature. It’s aimed at 6th through 8th graders, but could potentially be used with students in other grades (I intend to use it with my 5th graders). The story is full of irony, anxiety, and engaging dialect as Dickens successfully captures Pip’s innocence and fears while weaving in marvelously subtle humor. The play seeks to capitalize on that humor.

Great Expectations, incidentally, was published in 1860 in Dickens’ own weekly periodical, All Year Round. Because it was published serially—or one exciting section at a time—it reminds many readers of a modern soap opera, or perhaps a binge-worthy television series with a ton of twists, turns, and suspenseful cliffhangers.

The 20-minute play includes parts for ten students and numerous non-speaking “soldiers.” It was written with the stage in mind, but it can also be presented as reader’s theater or a pod-casted radio drama. The script comes with embedded discussion prompts, a standards-based comprehension and essay writing activity, teacher’s notes, answer key, and a printable of the novel’s first five chapters for easy comparing and contrasting.

Consider pairing with my other Dickens’ plays including “Gabriel Grub” and “A Christmas Carol.” Though it isn’t indicated in the play, the story take place on Christmas Eve, so all three plays could be presented as a holiday event.

Happy directing!

How to Celebrate the 50th Anniversary of the Apollo Moon Landing

Posted on June 29, 2019 by Mackowiecki

Apollo Extension Systems Lunar Base concept I was seven years old when the Apollo 11 mission blasted off for the moon in mid-July of 1969. I remember it well. My little sister and I spent much of July playing with a litter of puppies, though I can’t recall now if these belonged to my black lab Cookie or the family’s boxer, Peaches (we had a lot of dogs back then). But even those puppies couldn’t peel us away from Walter Cronkite’s non-stop newscast.

Here we are fifty years later. Space travel has become rather commonplace. Consider that the TV networks used to broadcast every launch, how we used to sit breathless watching the capsules plunge into the sea or the space shuttles touch down. These days we hardly glance up at the heavens, let alone note the passing of the International Space Station. Few of us can name even a single astronaut. Skylab has fallen, we’ve suffered human casualties, and exploration has been turned over to private enterprise.

Yet the moon remains as captivating as ever.

My reader’s theater play about the Apollo Moon Landing is based on my own childhood perspective from my backyard and living room on Beall Lane in southern Oregon. It accurately recounts the historic details of the event, details I wasn’t aware of then but make for some compelling drama now. Just as he did on television all those years ago, the famous newsman Walter Cronkite narrates the mission while astronauts Armstrong, Aldrin, and Collins communicate with Control in Houston.

In honor of the 50th anniversary of the moon landing, I plan on making Apollo part of my lineup of plays this fall. It’s not only a great history lesson, it’s a “blast” to enact. The last time I used it, my students and I created a 1960’s television set out of a cardboard box, cut out the oval-ish screen, and made some “rabbit ears” for the top. The kiddo playing Cronkite sat inside to deliver lines such as “The date is now indelible. It’s going to be remembered as long as man survives. And that’s the way it is, July 20, 1969, the day man reached and walked on the moon. This is Walter Cronkite signing off.” My goal for this year is to create some funky space suits for Armstrong’s first step and Aldrin’s giant leap (off an aluminum ladder on to the stage).

Now imagine your students walking on the moon! Imagine them re-enacting the “Eagle has landed“ and “One small step” scenes while reciting the exact words spoken by Mission Control, Walter Cronkite, and the astronauts themselves. Imagine watching them explore the moon as if for the first time. What a great way to celebrate the 50th anniversary of the moon landing!

You can check out my play and its related comprehension material, along with a wide array of other great Read Aloud Plays, at TeachersPayTeachers.

We Are Taxi Drivers

Posted on May 15, 2019 by Mackowiecki

Ever notice how determined Uber and Lyft are to develop autonomous cars? After replacing taxi drivers with contract laborers (many of whom are now on strike), their next goal seems to be that of replacing the drivers with robots. Ridesharing execs have always made it seem like their app-based service was a win-win for everybody, but others suggest it’s destined to make a ton of extra cash for CEOs and stockholders at the expense of tens of thousands of unemployed people.

Could the same thing happen in education? It seems to me, teachers around the country are facilitating their own demise by turning their teaching over to online platforms. Students come to school and plug into programs such as Moby Max, Summit Learning, and Zearn while the teachers stare out the window or play Solitare. People are starting to wonder if someone will eventually point at those teachers and say, “What are we paying them for?” and then suggest replacing them with low-wage, unlicensed proctors.

Might the schools themselves be the next to go? One must assume the companies offering the online programs are collecting data—including contact information—and could eventually use that info to “cut out the middleman”—that is, the school itself. After all, why send your kid to an unsafe place like a school campus when they can “Zearn” in their own home?

The digital age promised to revolutionize education, but these days, some are beginning to wonder if the revolution hasn’t gone too far. Could teachers be merely taxi drivers in the Uber era?

While there are certainly many programs beneficial to instruction, perhaps teachers should be asking if the system to which they’re subscribing isn’t after their job. Summit, Zearn, and Moby Max may, in fact, be quite useful, but teachers need to continue to provide the one commodity “autonomous teachers” cannot: themselves. When it comes to education, a robot cannot match the passion great teachers bring to the profession. Accelerated Reader isn’t going to be able to convey your enthusiasm for a great piece of literature. IXL won’t convince little Johnny the multiplication tables are a stepping stone to veterinary school. Nor is Summit going to get your whole class talking in a Russian accent for a stage performance of Gogol’s “The Nose.” That’s where you come in.

So enough with all this screen time. Let’s grab some good books, a Read Aloud Play (such as my Peter Rabbit adaption–a fun one to conclude the year), or something new from TpT and do what teachers do best.

Happy directing!

“Musifying” Your Next Play

Posted on April 2, 2019 by Mackowiecki

I have a theory about Walt Disney. Disney, of course, is known for animation. Way back in 1928—almost a century ago—Disney released Steamboat Willie to world-wide acclaim. Disney, though, wasn’t the first to produce an animated cartoon. What set Steamboat Willie apart and turned Disney into the $100 billion company it is today, wasn’t the animation.

It was the music.

Steamboat Willie and all of Disney’s subsequent productions included musical scores. Disney knew early on that something magical happens when you add music to a project.

That’s certainly true with classroom plays. Plays are wonderful vehicles for teaching reading and engaging reluctant readers, but when you add music, they become something altogether extraordinary. It’s no wonder the musicals I’ve directed are among the highlights of my career.

Needing a class-wide collaborative project to present at my school’s “Exhibition Night,” I recently embarked on the task of “musifying” my Newsies play script. Why so, you might ask, when Disney has a perfectly good Newsies musical of its own? First of all, Broadway musical scores (and Disney scripts) require costly performance licenses, which I can’t afford. Secondly, Disney’s script is way too complex for my fifth graders. And thirdly, like many (if not most) commercial movie projects, it isn’t as historically accurate as I would like it to be. The newsboy strike of 1899, and all the child labor issues surrounding it, is already quite fascinating. One needs only to Google the images—shoe shine boys dressed in rags, child coal miners covered in soot, newsboys sleeping in alleys—to be completely drawn in to the era. So why change the facts? Why dramatize something that’s already colorful and dramatic?

Unfortunately, my class returned from Christmas break surly and unmotivated. If it didn’t involve an emoji, YouTube, or Fortnite, they simply weren’t interested. Memorize a play script? You must be kidding.

But then I introduced the music: Louis Armstrong’s “When You’re Smiling,” Guy Lombardo’s version of “The Sidewalks of New York,” and most fun of all, “Hot Time in the Old Town Tonight.” It didn’t matter that these were ancient tunes originally recorded on 78 rpm vinyl. It didn’t matter that the tracks crackle as if being played on a hand-cranked gramophone. Just like Disney has taught us, the music had turned our ordinary class play into something enchanting.

Plays are tremendously rewarding and often hysterically unpredictable—and there are certainly a ton of awesome ones on ReadAloudPlays.com. But if you want to take it up a notch, if you want to experience that Disney-esque magic, try “musifying” a play. I’ve already done a lot of the work for you by creating my Newsies Against the World mini musical. It tells the story of Aniela Kozlowski, an eleven year-old Polish immigrant who must take to the streets to sell “papes” during the 1899 newsboy strike. Though dramatically different than the Disney Newsies show, it’s historically accurate and includes “sing-along” period music from the early 20th-century, all of which is available for free (non-commercial) download from archive.org. (Hint: visit my classroom webpage, The Daily Platypus, and check out my edited versions.) The script includes production notes, is prints in booklet form, and comes with performance rights for public schools.

Happy directing!

10 Compelling Paired Texts for Black History Month

Posted on February 2, 2019 by Mackowiecki

Here are ten great paired texts with which to recognize black history month while meeting numerous Language Arts standards. All the plays are based on the given event–not it’s paired text (in most cases the play was published before the given book). That means each pairing represents distinctly unique points of view (Literature CCSS #6), making for livelier discussions and quality comparisons (CCSS Lit #7). And because these plays are based on real events, they’ll also satisfy CCSS Informational Text #6. Each includes a comprehension activity, too, assuring your students will satisfy numerous other standards as well. And because almost all my plays were originally commission by and published in Scholastic’s Storyworks and Scope magazines, they’ve been professionally vetted, making them the best reader’s theater on the market. Just click on the image to preview or purchase on my TeachersPayTeachers storefront. Happy directing!

The Face of Hate–Why We Need to Teach Black History

Posted on January 21, 2019 by Mackowiecki

One of the things I find fascinating—and disturbing—about photos from the Civil Rights era are the faces in the crowd. Consider this picture of a mob beating Freedom Riders in Birmingham in 1961. Here are the faces of regular Americans—our neighbors, friends, sons, and grandpas—all caught on the wrong side of history, leaving a legacy of ugliness.

Sadly, an incident this past week in Washington D.C. shows things haven’t changed much. History’s lens caught private school students from Kentucky apparently harassing Native American Nathan Phillips. “The looks in these young men’s faces,” said Phillips, “I mean, if you go back and look at the lynchings that was done (in America)…and you’d see the faces on the people…the glee and the hatred in their faces. That’s what these faces looked like.”

Two pictures of the same thing, sixty years apart: faces in the crowd caught on the wrong side of history. It shows we have a lot more work to do.

Character, kindness, justice, and tolerance should be taught year-round—not just during Black History Month—but here are a number of great reader’s theater scripts and classroom plays to make February especially meaningful. When combined with your excellent teaching, perhaps more of our students will be caught on the right side of history, leaving behind a legacy of courage and kindness.

The Ruby Bridges Story—the integration of New Orleans Public School
The Girl Who Got Arrested—Claudette Colvin and the Montgomery Campaign
Freedom for the First Time—the Day of Jubilee—the end of the Civil War
How Jackie Changed the World—Jackie Robinson breaking the color barrier in the Major Leagues
The Library Card—author Richard Wright’s efforts to become literate
Gonna Let it Shine—Sheyann Webb’s participation in the Selma to Montgomery March
We Shall Overcome—the Birmingham Children’s Crusade
Martin’s Big Dream—how an incident from MLK’s childhood inspired him
MLK’s Freedom March—the March on Washington in which MLK delivered his “I Have a Dream” speech
In the Jailhouse with Dr. King—a unique perspective on the Montgomery Bus Boycott
Sitting Down for Dr. King—the 1963 lunch counter sit-ins
Box Brown’s Freedom Crate—Henry Brown’s escape from slavery

All these plays are available on my TeachersPayTeachers storefront. They typically come with comprehension activities developed around the CCSs, and they include reproduction and performance rights. Not sure where to begin? Try downloading my free MLK Preview Pack.

Happy directing!

New Play for MLK Day

Posted on January 1, 2019 by Mackowiecki

Celebrate Martin Luther King’s legacy and teach his core values with any of a number of plays available on my storefront at TpT. “Martin’s Big Dream,” which is about MLK’s childhood, is one of the most highly-regarded plays ever to appear in Scholastic’s Storyworks magazine. “In the Jailhouse” offers a unique perspective on the events in Montgomery, “Gonna Let it Shine” covers the Selma march, and “We Shall Overcome”—my most popular civil rights play—depicts the Birmingham Children’s Crusade. But allow me to add a new one to the fold. Though not specifically about MLK, “A Simple Act of Courage” will give your students unique insights into everything Dr. King stood for.

Ruby Bridges was headline news in 1960 as she naively trudged into the all-white William Frantz School. Her compelling story, that of a first grader—a mere first grader!—integrating New Orleans Public Schools is indelible. Famed American author John Steinbeck wrote about it. Norman Rockwell painted it. And Ruby herself, nearly forty years later, revisited it in her stunning book, Through My Eyes. Ruby’s book is likely in your school library if not on your classroom bookshelf. By pairing it with this lovely reader’s theater script, you’ll have MLK curriculum that’ll stay with your students for years to come.

All of my MLK plays are emotional retellings based on carefully-researched real events. Your students will enjoy enacting them on stage or simply reading them in class, and the comprehension activities and support material will ensure your kids will meet the standards, too.

Happy directing!

Here’s Help for that Pre-Holiday Chaos!

Posted on November 24, 2018 by Mackowiecki

That last week before Christmas vacation can be a real doozy. While thoughts of sugar plums may not derail that lesson you’ve been planning on verb gerunds, knowing there are new gaming systems, cell phones, and hoverboards under the tree certainly will. There’s no doubt about it: this time of year the kids are all a twitter, prompting many a teacher to set aside serious content in favor of coloring pages featuring Rudolph, Frosty, or an occasional dreidel. But it needn’t be so. This is a great time to stage a play! In so doing your students will get some quality fluency practice, partake in some interesting literary discussions, and, depending on how far you want to take it, occupy themselves with meaningful work creating sets, props, and costumes. Here are four classroom reader’s theater scripts ideal for the next few weeks.

“Ebenezer Scrooge” is a traditional retelling of the Dickens classic. This age-appropriate version from the Dec. 1998 issue of Storyworks is available on TeachersPayTeachers only during December. It includes roles for fourteen students (though some can be doubled-up) as well as two or more non-speaking extras. I also have a version of this play in which Scrooge is cast as a woman, available in my book, Read Aloud Plays: Classic Short Stories.

Long before Scrooge there was “Gabriel Grub,” the gravedigger. From Dickens’ The Pickwick Papers, this eerie adaption is a perfect complement to “A Christmas Carol” or a wonderful stand-alone Gothic holiday play. Gabriel is the sullen sexton who scowls at holiday mirth. He goes to the churchyard on Christmas eve to dig a grave and there encounters the Goblin King and a chorus of imps. It’s Dickens’ at his best! It includes enough parts for an entire class, or double up roles and stage it with as few as twelve. (Warning: it may be too scary for younger students, so use it with grades 5 and up).

The Gift of the Magi is the endearing story of a husband and wife who pawn their most precious things in order to buy gifts for one another, only to discover the gifts are no longer needed. This O.Henry classic originally appeared in the Nov./Dec. 2001 issue of Storyworks, and is currently available for immediate download through Scholastic Teacher Express. Students will likely be familiar with the plot because it’s been so readily adapted everywhere from Sesame Street to the Simpson’s to Walt Disney. Parts for nine students in grades 4 through 8.

Maupassant the Cat and Flaubert the Mouse tell the exasperating tale of the discontented Matilda Loisel in Guy deMaupassant’s 1884 classic, “The Necklace.” Matilda is a young French woman who takes her happiness for granted and consequently trades it all for a string of false pearls. Students consistently rank this among their favorite plays to perform. Originally published in the Nov./Dec, 2002 issue of Storyworks, it includes parts for eight actors (and numerous non-speaking extras). It isn’t specifically a holiday play, but could be made so simply by referring to “The Ambassador’s Ball” as “The Ambassador’s Christmas Ball.” It’s appropriate for students in grades 4 through 8 and is currently available in Read Aloud Plays: Classic Short Stories on Scholastic Teacher Express.

Happy directing!

A Just So Adaption Just Right for Class

Posted on September 23, 2018 by Mackowiecki

I’ve just released a new reader’s theater play script. I put it together early in the summer but have waited until now to release it because, like nearly all my plays, I wanted to try it out with my own students before offering it to you. By doing so, not only do I catch (nearly) all my typos, I’m also able to figure out which lines work and which lines need a bit more pep. It amazes me how adding an innocuous word such as “always” bolsters an otherwise flat one-liner (in this case, spoken by an elephant to a hippo).

“How the Elephant Got Its Trunk” is my new play. It’s based on Rudyard Kipling’s oft-adapted “Elephant’s Child” from his 1902 work, Just So Stories. Yes, there are a lot of adaptions of this one out there, but I think you’ll find mine to be unique. First of all, Kipling’s original story is about an elephant that get’s spanked by all his relatives. I’m not intending to make any political statements, but there’s little question these days that spanking isn’t considered school-appropriate. Consequently, I’ve come up with a clever way to re-work the story without altering its mojo. It’s a Just So adaption just right for class!

My script also encourages students to experiment with dialect. I’ve found that any time I can get kids talking like a southern belle, a Bronx street urchin, or a Russian cowpoke (see my Talk Like A Russian Day post), the stories come to life in profound ways. We also have a lot more laughs. “Elephant’s Child” sets the tone with Swahili storytellers, then tosses in a baboon with a British accent, a snake with a lisp, a hip-hop jivin’ giraffe, and others. If your kids like it as much as my students do, I think you’ll be pleased.

I’ve also included two versions in one package: my original, which is geared toward 5th through 8th graders, and a simplified “Youngers Version” for 3rd through 5th. My fifth graders are using the upper version and doing fine with it. It includes leveled comprehension activities based on Common Core standards. Older students can pair the play with the original short story–available all over the Web. You can also enact it alongside another of my Kipling plays, “Rikki Tikki Tavi,” which is available through Scholastic.

Preview or purchase How the Elephant Got Its Trunk at my storefront on TeachersPayTeachers. While there, also be sure to check out my “Halloween Collection,” plays perfect for October: The Birth-mark, The Monkey’s Paw, and Cyclops.

Happy directing!

Would You Want Your Grandchild Working Like This?

Posted on September 3, 2018 by Mackowiecki

In honor of Labor Day, the Washington Post published an excellent feature on Lewis Hine, whose photography a century ago brought an end to ugly child labor practices. The Post’s cover photo, a Hine classic of a young textile mill worker, was the inspiration for my play, “Stolen Childhoods.”

If you’re unfamiliar with Hine’s work, be sure to read the Post article. In the late 1900’s, because there were no labor laws to prevent it or unions to defend against it, companies quit hiring adult men and instead hired children at a fraction of the cost. Both unemployment and illiteracy skyrocketed. Hine brought the practice “into the light” by surreptitiously gaining access to mines, factories, and farms and photographing children working long hours under deplorable conditions. He often convinced floor bosses that he was merely there to take pictures of the company’s “impressive” machinery. The children, he’d tell them, needed to be in the picture to provide a sense of scale. He was often threatened with violence, but his effort eventually paid off for the American worker, leading to labor laws that still exist today. Hine, however, died impoverished and with little fanfare.

My play, “Stolen Childhoods,” has been published in both Storyworks and Scope magazines. It follows Hine as he finagles his way into factories and a trio of endangered siblings, whom he eventually photographs. Hine’s photographs are poignant and powerful; I’m hopeful I’ve captured a bit of that poignancy in my play. You can preview it or purchase it on my storefront at TeachersPayTeachers.

Allow me to conclude with a politically-charged statement: unions today have been vilified by politicians and corporate interests, but given their role defending the American worker, it seems more important than ever that young people know the history behind organized labor. The Post article, my play, and certainly the work of Lewis Hine go a long way in teaching that history.

Happy directing.