Author Archives: Mackowiecki

How Much is a Stress-Free Sub Day Worth?

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EZSubPlans5.1Whether a classroom teacher, substitute, or administrator, EZSubPlans will provide you with inexpensive, kid-tested plans at the touch of a button. Each EZSubPlans package includes at least seven hours of grade-specific lessons designed to make your next absence easy and worry-free. Classroom teachers wanting to avoid the frustrating and time-consuming process of preparing for an absence and substitute teachers needing back-up material will find everything they need with EZSubPlans. And what better time to prepare than before the school year begins! Days are labeled by grade level, but each can be easily adapted to suit one grade level up or down. A fifth grade teacher, for example, could use the lesson plans for grades 4, 5, and 6–that’s six days in all. Teachers need only to download, print, and photocopy–the sub does everything else.

Imagine, your first six absences of the school year already prepared. On each of those mornings, you merely set the EZSubPlans file on your desk and walk away! Click here for more information about EZSubPlans or click here to preview or purchase at TeachersPayTeachers. How much is a stress-free sub day worth? Who can say. How much does a stress-free sub day cost? Just $5 a day with EZSubPlans.

State Testing Linked to Premature Baldness

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The Birthmark scope cover pageI’m willing to admit to a high degree of frustration when it comes to standardized testing. In fact, during the latter part of the most recent school year, state testing had me secretly yanking fistfuls of grey hair from my head. I had so many kids being pulled out of my fifth grade class to either test or get remedial instruction, rarely (if ever) did I have my full group. It made for some dysfunctional lessons requiring reteaching material to kids who were already being retaught material from previous years. Still, as my Admin is fond of saying, “testing is the reality in which we live.” Embrace it or die (at least that’s how I translate it).

Well, I’m happy to say my students did just fine on state standardized tests, especially in reading where nearly all either met standards or growth targets and average fluency scores soared. Why mention it here? Because I long ago abandoned traditional text books and instead built my reading program around read aloud plays. Along with chapter books and content reading (primarily history content from Storyworks magazine), read aloud plays are the mainstay of my instruction. Not only do they build fluency and provide the framework to teach comprehension skills, they also increase the love of reading. It was no surprise to me that during our annual book give-away the last week of school, one of my reluctant readers eagerly snatched up a copy of A Christmas Carol. He’d had a small part in our movie adaption back in December and was still enthusiastic about it.

While some of my colleagues look at the new Common Core Standards with trepidation, I’m confident my young thespians will continue to thrive. In fact, I’m already mapping out another year of read aloud plays. You can see my tentative plans below, and if you’d care to jump on the reader’s theater bandwagon, you’ll find all of the titles either on my TpT Storefront, in one of my books^, or coming soon via this website*.

I’ll close with one warning: using read aloud plays to improve test scores means more than just handing out scripts and inviting kids to read. To see the nuts and bolts of how it’s done, download my free article, Why Use Drama?

September–Exploration: The Fountain of Youth, Lewis & Clark and Bird Girl, Fly Me to the Moon

October—Halloween Theme: Penelope Ann Poe’s Amazing Cell Phone, The Tell-Tale Heart^, The Legend of Sleepy Hollow^, The Monkey’s Paw, The Birthmark*

November/December–Christmas Theme: Ebenezer Scrooge, The Gift of the Magi^, Gabriel Grub*, The Necklace^

January–American Revolution: The Secret Soldier*, The Legend of Betsy Ross^, Eagles Over the Battlefield^

February–Slavery & Civil War: Spies & Rebels, Freedom for the First Time, Box Brown’s Freedom Crate

March/April–Civil Rights: Sitting Down for Dr. King, Freedom March, We Shall Overcome, Selma to Montgomery: Let it Shine*, The Girl Who Got Arrested, In the Jailhouse with Dr. King, I Have a Dream: The Childhood of MLK^

May—Just for Fun: Peter Rabbit, A Retrieved Reformation, Cyclops v Odysseus*

All right, I’ll close (for real this time) with the fine print: Read Aloud Plays won’t stop your classroom instruction from being interrupted by standardized testing. Nor will it decrease your risk of premature baldness due to the same. But done right, read aloud plays will have a positive impact on your reading test scores.

Happy directing!

Why You Should End the Year with Algebra

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The Little RascalsI think much of what I know about teaching, about kids, about life itself, I learned from Spanky and Our Gang.

Like many of us here near the end of the school year, exhaustion has just about got the best of me. The wide-variety of year-end responsibilities and activities coupled with the cumulative day-to-day stress of the job itself has become a bit overwhelming. It has me looking for some fun but easy lessons to wrap up the last few weeks of school. It got me thinking that I’d like to share with my students some Little Rascals episodes, so I went looking for them on YouTube. If you’re not familiar with the Little Rascals, it’s the depression-era film shorts featuring the antics of impoverished kids such as Spanky, Alfalfa, Darla, and Stymie (and a mule named Algebra). I grew up watching “Spanky and Our Gang” on Channel 42 out of San Francisco—beamed to my home in Oregon via the relatively new innovation called cable-tv.

Sure enough, YouTube has a wide variety of clips, and as I watched a few my wife suggested that my love for kids and my destiny to become a teacher may have roots in the Little Rascals. The more I think about this, the more I believe it. There’s no doubt I admired the ingenuity and resiliency displayed by these kids. There were rarely any adults on the show. The kids had to solve complex problems and overcome difficulties without the assistance, guidance, or even supervision of grown-ups. I think this “can-do” attitude has helped me forge my way through life. And there’s no doubt I enjoyed the innocence and sweetness of all these kids. Yes, I think “Our Gang” had a profound impact on my career choices, as well as my penchant for using plays in class.

I have particularly strong recollections of the Our Gang “Follies,” in which the kids built a make-shift theater in a barn and staged a vaudeville show. Although these were not among my favorite episodes, I’m certain they influenced my teaching. In 1998, when I built a stage inside my classroom, I sewed together a heap of scrap fabric to make curtains that, not surprisingly, looked a lot like those that parted for Alfalfa’s performance of “I’m in the Mood for Love” or Darla’s tap and baton-twirling routine. I’m still using those curtains today, and I think about the Little Rascals every time I put them up for a play.

I intend on ending the year with an algebra lesson (that is, a segment of Little Rascals featuring Algebra the Mule), but another good activity with which to fill these last days of schools is reader’s theater. I believe read aloud plays are most beneficial when they’re read repetitively, when kids read and re-read the same text over and over again as they practice for an eventual performance. However, this time of year, there’s nothing wrong with giving kids a set of scripts and letting them wing it. Give them a session or two to utilize their “Spanky-esque Can Do Attitude” and then watch the follies unfold. To help you along, here’s a free PDF of my play based on O.Henry’s depression-era story, A Retrieved Reformation, but you should also try Peter Rabbit, Penelope Ann Poe’s Amazing Cell Phone, A Tell-Tale Heart, and Fly Me to the Moon, all of which are available on my TeachersPayTeachers page, as well as The Nose, Rikki Tikki Tavi, and The Open Window, from my book: Read Aloud Plays: Classic Short Stories. Finally, Read Aloud Plays: Symbols of America contains Argument at Mount Rushmore, As American as Apple Pie, and Eagles Over the Battlefield, each of which make for fun, impromptu entertainment that beats a real algebra lesson any day.

Happy directing!

With a hey, and a ho, and a hey nonino

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Click here to preview or purchase at TpTIt’s spring, and aside from being that glorious time of year when we can finally start replenishing our supply of Vitamin D, it’s a great time to consider alternative settings for classroom play performances. “All the world’s a stage,” writes Shakespeare in As You Like It, which sounds to me like a good excuse to ditch the school auditorium and head out of doors. Take a walk around your school campus. That grassy knoll, that bridge across the playground structures, and the steps in front of the dilapidated main building might all be excellent venues. Have the performers present their play at the top of the steps, or seat your audience on the steps themselves and stage the play down below. Keep props and costumes to a minimum, provide your kids with multiple opportunities to practice (which builds fluency), and be sure to invite other classes to come watch.

Excellent plays to perform out-of-doors include How Jackie Saved the World (see previous post), Fly Me to the Moon (about the Apollo moon landing), Bird Girl (about Sacagawea), and my personal favorite, Peter Rabbit (a great one for olders to perform for youngers). If you’re lucky enough to have access to back issues of Scholastic’s Storyworks magazine, try Aesop’s Fables, Tom Sawyer’s Saturday, or Babe, the Valiant Pig. Finally, plan to take your back-to-school plays outside as well. Consider using my play, Cyclops vs. Odysseus, which originally appeared in Scholastic’s Scope magazine in September 2012. It’ll be available through TpT this August.

Happy Directing!

April 15th is Jackie Robinson Day

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Click here to preview or purchase at TpTThe Major League Baseball season is underway, which seems a trivial point in the broad scheme of academics. Yet were it not for Jackie Robinson’s breaking of the color-barrier, education in America might look alarmingly different.

When I was growing up, I was a sports fanatic. By then, professional sports had already been integrated, so it was easy for me–as Dr. King would say--to judge a man by his character rather than the color of his skin. The grit and tenacity of Matty Alou on the baseball diamond and Terry Metcalf on the gridiron made them my heroes and helped teach me to be “color-blind.” But the fact that Alou and Metcalf were out there at all was the direct result of Jackie Robinson’s own grit and determination.

There was never any doubt that Robinson had the talent to play in the Major Leagues. The issue was whether or not he’d have the character necessary to withstand the racist slurs and physical violence that followed him everywhere he went, both on and off the ballfield. Imagine what would have happened had Jackie responded in kind, perhaps taking a swing at a white player who’d deliberately spiked him, or kicking dirt at an umpire who refused to call a fair game. He would have been quickly drummed out of baseball. Integration of all our institutions, including education, would have been delayed for decades.

No doubt you have a crop of kids in your classroom who idolize professional athletes. Whether black, white, or striped (as Pee Wee Reese is quoted as saying), learning about Jackie Robinson will help them judge their fellow man by his character just as they judge their sports heroes by their grit.

April 15th is Jackie Robinson Day, the day every Major League player wears number 42 in Jackie’s honor. The league doesn’t celebrate it because Jackie was a great ballplayer, but because of the importance and difficulty of Jackie’s accomplishment. It’s a great time to enact How Jackie Saved the World. Kids consistently tell me it’s one of their absolute favorites to perform. I’m confident your students—especially your young sports fans—will enjoy it as well. You can preview and/or purchase it from TeachersPayTeachers by clicking here. You can also listen to some of my students performing it by following this link.

Happy directing!

Are Your Students Paying Enough Taxes?

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cover incredible silverRight after Spring Break is when many teachers implement The Checkbook Project in their classrooms, so this week I’m foregoing my usual spiel about reader’s theater to instead offer some checkbook tips.

If you’re not familiar with The Checkbook Project, it’s a classroom incentive program, a behavioral management system, and a math-heavy financial literacy unit all rolled together. It’s completely free, kids love it, and it’s relatively easy to manage. In my classroom we kick-started our economy three weeks ago by giving each student a $50 “Spring Stimulus.” Already I have kids aspiring to be slumlords. “Mr. Lewis, can I buy that desk at the back of the classroom and charge kids a bunch of money to sit there?” asked one student. Another wanted to know when she can take out a mortgage, and a third was already asking about a business license. Still others are already borrowing money from their friends just to make rent.

You can download The Checkbook Project by following this link. Once you do, the following tips will get you off to a good start.

1. Provide help with tax reports. Though not as complicated as the Form 1040 you and I file each April, completing the Friday Tax Report (a key element to the program) is initially challenging for the students. Be sure to file taxes at the end of the very first first week, allow extra time (45-60 minutes), have extra adults on hand if you can, and use a simple 10% tax rate. Once kids get used to filing, you be able to file every other week, you’ll only have to assist your neediest kids, and you’ll be able to raise the tax rate to more complex figures like 17.86%. Their moans and groans will spark a great discussion about how taxes in the real world pay for things like schools, police protection, and sewers.

2. Don’t be too generous. Keep your rewards low and your penalties high. I hand out a $5 bonus for a quiet class, but a $10 fine for a noisy one. I start the project paying fifty cents per percentage points on tests, gradually raising the rate of pay as the trimester continues. For example, if a student gets a 70% (the minimum) on a vocabulary exam, I pay out $35. I raise the rate when I need to increase motivation, but I also decrease it when students are accumulating too great a stash in their checkbook.

3. Charge for everything. You want to strike a balance between student income and expenses. If the balance in their checkbook is growing too rapidly, you’re paying out too much or not charging for things you should. I charge for pencils, snacks, special seating privileges, having to reprint homework, leaving chairs untucked, messy desks, and more. I have a yoga ball in my room students can rent for a day at a time. When it’s in high demand, I charge thirty bucks or more—and all I have to do is say the words, “Deduct $30 from your checkbook.”

4. Phase-in other elements. In Week One we learn how to keep track of our income and expenses and complete our first tax report. At the end of Week Two the kids begin renting their desks. During Week Three I let them begin selling their own items at auction. I wait until weeks Four and Five to let them mortgage their desks, open businesses, and apply for classroom jobs.

5. Don’t be in a hurry to raise desk rent. “Should I buy or rent?” You’ll want kids to wrestle with this question when you begin offering mortgages, but if rents are already excessive, your entire class will become “desk owners” too quickly. One of the richest “teachable moments” is when half the class—the desk owners—have burned their mortgages, while the other half are subject to ever increasing rents.

6. Collect checkbooks every Friday. Doing so makes the student feel more accountable about keeping accurate entries. The only record keeping I do is to write down each student’s ending balance on Friday’s. In so doing I’m able to spot oddities. I can also quickly skim through questionable accounts. When I find one, I usually make an example of him or her with a full audit (and some hefty tax penalties).

For more on The Checkbook Project, visit MackLewis.com and click on The Checkbook Project tab. You’ll find more tips and all the forms you need to make the project a hit with your parents, students, and admins. And in case you came here today looking for information on great Read Aloud Plays, please take a few minutes to explore my site, ReadAloudPlays.com and my storefront at TeachersPayTeachers. Happy directing!

Are You Among the 39% Who Survived?

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SCOPE-031113-The Secret Soldier by Mack LewisAccording to an annual survey performed by Met Life, job satisfaction among teachers is just 39%–the lowest level in twenty-five years. It means six out of ten teachers are dissatisfied with their jobs. Six out of ten would quit and do something else if they could. Says one expert, it’s “a perfect storm of Common Core implementation, new teacher evaluations, and state accountability systems.” Another says teachers “are operating in an environment of public discourse that focuses on blame.”

But what I want to focus on is the 39%. Despite merit pay schemes, evaluations based on student test scores, and yet another massive (and some say unnecessary) school reform, 39% of us say we still like our jobs. Why?

There are, of course, a gillion factors, but I know one thing that helps keep me happy is the inclusion of Read Aloud Plays in my instruction. Here’s why:

Read Aloud Plays are fun. Where else can kids meet standards by popping out of a crate, holding aloft a “still-pulsing heart,” or pouring confetti over someone’s head? Crazy, inspiring, and magical things happen when working with plays.

Read Aloud Plays are easy to use. Simply select the plays you want, assign parts, and start meeting around your kidney-shaped table two or three times a week. Because there’s no need to spend hours wading through a complicated teacher’s edition, read aloud plays makes my job do-able.

Read Aloud Plays can be integrated with other subjects. Plays such as Sitting Down for Dr. King get kids actively engaged in the Civil Rights Movement. Fly Me to the Moon takes them to space. And The Secret Soldier (which appears in the March 11 issue of Scholastic’s Scope magazine) puts them on Bunker Hill. The wide variety of plays available makes teaching other subjects more interesting.

Read Aloud Plays create a tangible product. I’ve found no end of pleasure in recording movies and podcasts to post on our classroom webpage—and the kids have found no end of pleasure in sharing them with family and friends.

Read Aloud Plays meet the Standards. The CCSs justify using Read Aloud Plays by making reference to drama as a required literary form. In fact, “drama” appears 47 times in the Standards, giving me license to toss aside the textbook.

Read Aloud Plays make teaching a little less tough. For me, perhaps it’s just enough to keep me in that 39%.

Happy directing!

Unleash Your Struggling Readers

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The Necklace_SWTwo of my fifth graders recently confided to me that they wish to become actors. This after each starred in a classroom play—one as a ghost in our Scrooge movie, and the other as Maupassant the cat, the lead in my read aloud play based on Guy de Maupassant’s, The Necklace. What’s extraordinary about this is that these two boys are among my most reluctant readers–two struggling readers who’ve sat through every Title I intervention, every SPED evaluation, and every differentiated reading program known to humankind and yet have still managed to “flatline.”

Until now. Read aloud plays have unleashed them.

When using read aloud plays, assigning parts can be tricky. If your goal is to impress the audience, cast your best readers in all the lead roles. But if your goal is to improve reading fluency, be sure to spread the parts around. Over the course of a school year, I try to make sure each student plays a lead role at least once. (Of course, my students enact 15 to 20 plays per year, so there are plenty of lead roles to divvy up.)

Struggling readers get more fluency-building practice from read aloud plays that any other reading activity. They get the text modeled for them by more experienced readers, they have the opportunity to practice it on their own before exposing themselves to scrutiny, and they’re willing to—happy to–read it over and over again. It looks a lot like what preschoolers go through when first learning to read, which according to brain researchers and development theorists such as Lev Vgostsky, is critically important.

Admittedly, I was initially worried when I gave the lead role in The Necklace to my struggling reader. My frustration grew as day after day he mumbled, bungled, and stumbled through his lines, often to the dismay of his fellow cast members (pause for a minute and imagine their heavy sighs). And day after day I implored him to work harder practicing his lines at home. Sure enough, over time he improved substantially, and during our final practice he was reading his lines well—not perfect, mind you—but well.

And now he wants to be an actor. I can’t recall getting results like that from a text book or leveled reader.

Remember when assigning parts that an Oscar or Tony Award isn’t what you’re pursuing. Your goal is to build capable, enthusiastic readers. When it comes to your struggling readers, read aloud plays is the perfect format to re-create that preschool parent-child brain chemistry.

Good “leads” on which to unleash your struggling readers include Henry in “Box Brown’s Freedom Crate,” Jackie Robinson in “How Jackie Changed the World” and Young David in “Sitting Down for Dr. King.” Good roles for reluctant girls include Tess in “Fly Me to the Moon,” and Young Claudette in “The Girl Who Got Arrested.” All these plays and more are available for preview and/or purchase in my TeachersPayTeachers store.

Happy directing!

Even a Squirrel Can Do It!

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Rikki Tikki TaviOkay, that’s not a squirrel. It’s a mongoose, as in Rikki Tikki Tavi of Jungle Book fame. My students are all jazzed about the play Rikki Tikki Tavi, which they just recorded for use as a podcast. If you’re a fan of using Read Aloud Plays but haven’t yet experimented with podcasting, I encourage you to give it a try. Hear our sample by clicking on the mongoose, or better yet, read on for two minutes and find out how easy it is for you and your students to make your own.

Using Read Aloud Plays in the classroom has numerous academic benefits. One, the Common Core State Standards put a great deal of emphasis on using drama to teach reading. In fact, the word drama appears 47 times in the standards. Two, kids love reading and enacting plays, meaning their engagement is heightened. Three, plays rapidly improve fluency. Using Read Aloud Plays accomplishes this because most students are willing to read and re-read the same script repetitively (the same way they probably read picture books when they were tots). One additional key to success, I think, is to offer authentic and varying ways to present your plays.

Don’t get me wrong. Divvying up parts and reading a play just once has its merits. In fact, my class will be doing just that for President’s Day. Using three plays from my book, Read Aloud Plays: Symbols of America, we’ll be touching on the significance of the holiday without devoting an excess of class time. But in this case the emphasis is on teaching a specific history lesson rather than improving reading skills.

To really build fluency (and comprehension), I want my kids working with a given script for three to four weeks. They meet with me in “play groups” for “cast table readings” three times over the first week. Each play group is about a third of the class. Once they’ve demonstrated command of their given script, we move on to rehearsals. After two or three weeks of rehearsing (roughly three times a week for 20 minutes a pop), we present our plays in a few basic ways: Simple classroom staging, school stage production, full-blown musical, movie making, or podcasting.

Podcasting may initially seem daunting, but will become fairly simple with a bit of practice. You’ll need a laptop pre-loaded with Audacity software (a free download), a decent omnidirectional mic such as Samson’s Go Mic, and a quiet room. Students simply read their lines. You can stop between each scene, re-do scenes as necessary, edit out some of the stumbles, stutters, and pauses, and even alter the pitch. Editing may consume a couple hours of your weekend, but once you’ve done so you can export your play as an mp3 file. Share it with you class as you would any other digital sound clip. In my classroom, we post them on our webpage.

Visit my classroom website at dailyplatypus.com to see and hear samples of podcasts, play productions, and our Christmas Carol movie. If you’re working on plays for African-American History Month, it’s not too late to record your students for all posterity via a podcast. Maybe it isn’t so easy a squirrel can do it, but you can!

Happy directing!

Your Happy Place

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The Birthmark Scope CoverAfter announcing the approach of my first grandchild via Facebook, I received a message from a former student thanking me for the year she spent in my class a decade ago. “Samantha” told me how the only happy moments of her childhood were in my classroom. Although I’m proud that I was able to provide her with a safe, nurturing environment, I’m saddened I hadn’t done more to make her life less chaotic. Whatever the case, it has prompted me to ponder what makes a classroom “happy.” Certainly there’s the nurturing that all good teachers provide their kids, loving them despite their flaws, considering their interests when writing lesson plans, being accessible, consistent, and safely predictable. But in my classroom I’ve also concluded that Read Aloud Plays has something to do with it. I know this because my students always seem to be happiest when we’re working on a play, and former students always seem to mention a play when reflecting on their time with me.

My current students recently performed my adaption of Nathanial Hawthorne’s “The Birthmark.” It appears in the Jan. 14th issue of Scholastic’s Scope magazine. Like nearly all the plays I craft for Scholastic, my students performed it in advance of publication. Judging by the always-awesome Scope cover, you wouldn’t think it a “happy” play at all, but it had the kids giggling and gaffawing like mad. It’s simultaneously romantic and ghoulish, giving them the chance to express a wide variety of emotions. Why, how often does your average fifth grade boy get to get on one knee and profess his love to a classmate? How often does your second-language learner get to stuff a pillow in his shirt and pretend to be a hunchback Boris Karloff?

Textbooks, standardized tests, and leveled readers may perhaps be worthwhile academic tools, but they’re not in themselves able to contribute toward that happy place Samantha remembers. If you haven’t tried using Read Aloud Plays, now is a great time to start. Although The Birthmark won’t be available on my website until next year, I have dozens of others–all written with the student in mind. Black History Month titles such as Box Brown’s Freedom Crate, Sitting Down for Dr. King, and How Jackie Changed the World are consistently ranked as favorites with the kids. Give ‘em a try and help create that happy place students will write to you about.

Happy directing!