Black Students Denied Service

Posted on January 5, 2014 by Mackowiecki

Imagine seeing the words “Whites Only” at your favorite restaurant! We can be thankful that it’s unthinkable today. But when so much time has passed, how do we help today’s kids truly make sense of such attitudes and events?

On February 1^st, 1960, four African-American college students walked into a Woolworth’s Store, sat down at the lunch counter, ordered and were refused coffee. They vowed to stay until the store desegregated its lunch counter. Five months later, Woolworth’s finally relented and began serving blacks and whites alike. It was an important moment in the history of American. The event is portrayed in my original Storyworks play, “Sitting Down for Doctor King.”

What better way to honor his legacy, meet the Common Core, and give your students an authentic Civil Rights experience than by re-enacting events such as Greensboro? Read aloud plays put your students in the action, allowing them to understand the motivations and feelings of the participants firsthand. Read Aloud Plays also help satisfy many of the Literature and Information Text standards in grades 3 through 7. But students can also utilize Read Aloud Plays to “adapt speech to a variety of contexts”, “evaluate a speaker’s point of view”, and “integrate and evaluate information presented in diverse media…,” which are all Speaking and Listening standards.

And there’s no limit as to how you use them. Pair plays with discussion, history videos (there are a ton of them on the Web), chapters from your History text book, works of literature, picture books, and more. Read a play once, or divvy up parts and practice for three or four weeks. Read Aloud Plays can be fit into almost any schedule and almost any curriculum.

For starters, check out my original Read Aloud Plays about the Greensboro Sit-ins, the Birmingham Children’s Crusade, the Montgomery Bus Boycott, and The March on Washington, where Dr. King presented his I Have a Dream speech. Or explore some of my other Black History plays. Nearly all my plays were commissioned by and originally published by Scholastic, so you know they’re of the highest quality, and all of them come with reproduction and performance rights. If you’re new to using drama, also be sure to download my free guide.

Satisfy the CCSs and bring MLK Day to life for your students. Download some Read Aloud Plays today. Happy Directing!

Happy Holidays!

Posted on December 9, 2013 by Mackowiecki

Here’s both a holiday treat and an example of how Read Aloud Plays can be adapted to be recorded as short films. This one, developed and enacted by my 5th graders from 2012-13, is based on my Christmas Carol play from Read Aloud Plays: Classic Short Stories, but with a little creative thought (and, admittedly, a lot of logistics), nearly any of my plays can be adapted for film. Happy Directing!

State Testing Linked to Premature Baldness

Posted on June 17, 2013 by Mackowiecki

I’m willing to admit to a high degree of frustration when it comes to standardized testing. In fact, during the latter part of the most recent school year, state testing had me secretly yanking fistfuls of grey hair from my head. I had so many kids being pulled out of my fifth grade class to either test or get remedial instruction, rarely (if ever) did I have my full group. It made for some dysfunctional lessons requiring reteaching material to kids who were already being retaught material from previous years. Still, as my Admin is fond of saying, “testing is the reality in which we live.” Embrace it or die (at least that’s how I translate it).

Well, I’m happy to say my students did just fine on state standardized tests, especially in reading where nearly all either met standards or growth targets and average fluency scores soared. Why mention it here? Because I long ago abandoned traditional text books and instead built my reading program around read aloud plays. Along with chapter books and content reading (primarily history content from Storyworks magazine), read aloud plays are the mainstay of my instruction. Not only do they build fluency and provide the framework to teach comprehension skills, they also increase the love of reading. It was no surprise to me that during our annual book give-away the last week of school, one of my reluctant readers eagerly snatched up a copy of A Christmas Carol. He’d had a small part in our movie adaption back in December and was still enthusiastic about it.

While some of my colleagues look at the new Common Core Standards with trepidation, I’m confident my young thespians will continue to thrive. In fact, I’m already mapping out another year of read aloud plays. You can see my tentative plans below, and if you’d care to jump on the reader’s theater bandwagon, you’ll find all of the titles either on my TpT Storefront, in one of my books^, or coming soon via this website*.

I’ll close with one warning: using read aloud plays to improve test scores means more than just handing out scripts and inviting kids to read. To see the nuts and bolts of how it’s done, download my free article, Why Use Drama?

September–Exploration: The Fountain of Youth, Lewis & Clark and Bird Girl, Fly Me to the Moon

October—Halloween Theme: Penelope Ann Poe’s Amazing Cell Phone, The Tell-Tale Heart^, The Legend of Sleepy Hollow^, The Monkey’s Paw, The Birthmark*

November/December–Christmas Theme: Ebenezer Scrooge, The Gift of the Magi^, Gabriel Grub*, The Necklace^

January–American Revolution: The Secret Soldier*, The Legend of Betsy Ross^, Eagles Over the Battlefield^

February–Slavery & Civil War: Spies & Rebels, Freedom for the First Time, Box Brown’s Freedom Crate

March/April–Civil Rights: Sitting Down for Dr. King, Freedom March, We Shall Overcome, Selma to Montgomery: Let it Shine*, The Girl Who Got Arrested, In the Jailhouse with Dr. King, I Have a Dream: The Childhood of MLK^

May—Just for Fun: Peter Rabbit, A Retrieved Reformation, Cyclops v Odysseus*

All right, I’ll close (for real this time) with the fine print: Read Aloud Plays won’t stop your classroom instruction from being interrupted by standardized testing. Nor will it decrease your risk of premature baldness due to the same. But done right, read aloud plays will have a positive impact on your reading test scores.

Happy directing!

With a hey, and a ho, and a hey nonino

Posted on April 22, 2013 by Mackowiecki

It’s spring, and aside from being that glorious time of year when we can finally start replenishing our supply of Vitamin D, it’s a great time to consider alternative settings for classroom play performances. “All the world’s a stage,” writes Shakespeare in As You Like It, which sounds to me like a good excuse to ditch the school auditorium and head out of doors. Take a walk around your school campus. That grassy knoll, that bridge across the playground structures, and the steps in front of the dilapidated main building might all be excellent venues. Have the performers present their play at the top of the steps, or seat your audience on the steps themselves and stage the play down below. Keep props and costumes to a minimum, provide your kids with multiple opportunities to practice (which builds fluency), and be sure to invite other classes to come watch.

Excellent plays to perform out-of-doors include How Jackie Saved the World (see previous post), Fly Me to the Moon (about the Apollo moon landing), Bird Girl (about Sacagawea), and my personal favorite, Peter Rabbit (a great one for olders to perform for youngers). If you’re lucky enough to have access to back issues of Scholastic’s Storyworks magazine, try Aesop’s Fables, Tom Sawyer’s Saturday, or Babe, the Valiant Pig. Finally, plan to take your back-to-school plays outside as well. Consider using my play, Cyclops vs. Odysseus, which originally appeared in Scholastic’s Scope magazine in September 2012. It’ll be available through TpT this August.

Happy Directing!

April 15th is Jackie Robinson Day

Posted on March 30, 2013 by Mackowiecki

The Major League Baseball season is underway, which seems a trivial point in the broad scheme of academics. Yet were it not for Jackie Robinson’s breaking of the color-barrier, education in America might look alarmingly different.

When I was growing up, I was a sports fanatic. By then, professional sports had already been integrated, so it was easy for me–as Dr. King would say--to judge a man by his character rather than the color of his skin. The grit and tenacity of Matty Alou on the baseball diamond and Terry Metcalf on the gridiron made them my heroes and helped teach me to be “color-blind.” But the fact that Alou and Metcalf were out there at all was the direct result of Jackie Robinson’s own grit and determination.

There was never any doubt that Robinson had the talent to play in the Major Leagues. The issue was whether or not he’d have the character necessary to withstand the racist slurs and physical violence that followed him everywhere he went, both on and off the ballfield. Imagine what would have happened had Jackie responded in kind, perhaps taking a swing at a white player who’d deliberately spiked him, or kicking dirt at an umpire who refused to call a fair game. He would have been quickly drummed out of baseball. Integration of all our institutions, including education, would have been delayed for decades.

No doubt you have a crop of kids in your classroom who idolize professional athletes. Whether black, white, or striped (as Pee Wee Reese is quoted as saying), learning about Jackie Robinson will help them judge their fellow man by his character just as they judge their sports heroes by their grit.

April 15^th is Jackie Robinson Day, the day every Major League player wears number 42 in Jackie’s honor. The league doesn’t celebrate it because Jackie was a great ballplayer, but because of the importance and difficulty of Jackie’s accomplishment. It’s a great time to enact How Jackie Saved the World. Kids consistently tell me it’s one of their absolute favorites to perform. I’m confident your students—especially your young sports fans—will enjoy it as well. You can preview and/or purchase it from TeachersPayTeachers by clicking here. You can also listen to some of my students performing it by following this link.

Happy directing!

Even a Squirrel Can Do It!

Posted on February 11, 2013 by Mackowiecki

Okay, that’s not a squirrel. It’s a mongoose, as in Rikki Tikki Tavi of Jungle Book fame. My students are all jazzed about the play Rikki Tikki Tavi, which they just recorded for use as a podcast. If you’re a fan of using Read Aloud Plays but haven’t yet experimented with podcasting, I encourage you to give it a try. Hear our sample by clicking on the mongoose, or better yet, read on for two minutes and find out how easy it is for you and your students to make your own.

Using Read Aloud Plays in the classroom has numerous academic benefits. One, the Common Core State Standards put a great deal of emphasis on using drama to teach reading. In fact, the word drama appears 47 times in the standards. Two, kids love reading and enacting plays, meaning their engagement is heightened. Three, plays rapidly improve fluency. Using Read Aloud Plays accomplishes this because most students are willing to read and re-read the same script repetitively (the same way they probably read picture books when they were tots). One additional key to success, I think, is to offer authentic and varying ways to present your plays.

Don’t get me wrong. Divvying up parts and reading a play just once has its merits. In fact, my class will be doing just that for President’s Day. Using three plays from my book, Read Aloud Plays: Symbols of America, we’ll be touching on the significance of the holiday without devoting an excess of class time. But in this case the emphasis is on teaching a specific history lesson rather than improving reading skills.

To really build fluency (and comprehension), I want my kids working with a given script for three to four weeks. They meet with me in “play groups” for “cast table readings” three times over the first week. Each play group is about a third of the class. Once they’ve demonstrated command of their given script, we move on to rehearsals. After two or three weeks of rehearsing (roughly three times a week for 20 minutes a pop), we present our plays in a few basic ways: Simple classroom staging, school stage production, full-blown musical, movie making, or podcasting.

Podcasting may initially seem daunting, but will become fairly simple with a bit of practice. You’ll need a laptop pre-loaded with Audacity software (a free download), a decent omnidirectional mic such as Samson’s Go Mic, and a quiet room. Students simply read their lines. You can stop between each scene, re-do scenes as necessary, edit out some of the stumbles, stutters, and pauses, and even alter the pitch. Editing may consume a couple hours of your weekend, but once you’ve done so you can export your play as an mp3 file. Share it with you class as you would any other digital sound clip. In my classroom, we post them on our webpage.

Visit my classroom website at dailyplatypus.com to see and hear samples of podcasts, play productions, and our Christmas Carol movie. If you’re working on plays for African-American History Month, it’s not too late to record your students for all posterity via a podcast. Maybe it isn’t so easy a squirrel can do it, but you can!

Happy directing!

Your Happy Place

Posted on February 3, 2013 by Mackowiecki

After announcing the approach of my first grandchild via Facebook, I received a message from a former student thanking me for the year she spent in my class a decade ago. “Samantha” told me how the only happy moments of her childhood were in my classroom. Although I’m proud that I was able to provide her with a safe, nurturing environment, I’m saddened I hadn’t done more to make her life less chaotic. Whatever the case, it has prompted me to ponder what makes a classroom “happy.” Certainly there’s the nurturing that all good teachers provide their kids, loving them despite their flaws, considering their interests when writing lesson plans, being accessible, consistent, and safely predictable. But in my classroom I’ve also concluded that Read Aloud Plays has something to do with it. I know this because my students always seem to be happiest when we’re working on a play, and former students always seem to mention a play when reflecting on their time with me.

My current students recently performed my adaption of Nathanial Hawthorne’s “The Birthmark.” It appears in the Jan. 14^th issue of Scholastic’s Scope magazine. Like nearly all the plays I craft for Scholastic, my students performed it in advance of publication. Judging by the always-awesome Scope cover, you wouldn’t think it a “happy” play at all, but it had the kids giggling and gaffawing like mad. It’s simultaneously romantic and ghoulish, giving them the chance to express a wide variety of emotions. Why, how often does your average fifth grade boy get to get on one knee and profess his love to a classmate? How often does your second-language learner get to stuff a pillow in his shirt and pretend to be a hunchback Boris Karloff?

Textbooks, standardized tests, and leveled readers may perhaps be worthwhile academic tools, but they’re not in themselves able to contribute toward that happy place Samantha remembers. If you haven’t tried using Read Aloud Plays, now is a great time to start. Although The Birthmark won’t be available on my website until next year, I have dozens of others–all written with the student in mind. Black History Month titles such as Box Brown’s Freedom Crate, Sitting Down for Dr. King, and How Jackie Changed the World are consistently ranked as favorites with the kids. Give ‘em a try and help create that happy place students will write to you about.

Happy directing!

Why You Need a Cardboard Box for Black History Month

Posted on January 28, 2013 by Mackowiecki

If you’ve never heard one of your students attempt a southern accent you must give Box Brown’s Freedom Crate a whirl this February during Black History Month. Ever since I wrote it for Scholastic’s Storyworks magazine back 1999, Box Brown has always been a favorite among my students. Consequently my class learns and performs it almost every year. Even if you’re teaching in the Southern U.S.—where the dialect might not be so unique—there remain many compelling reasons to teach with this play.

Box Brown’s Freedom Crate is based on The Autobiography of Henry “Box” Brown. Henry was the slave who mailed himself to the North inside a wooden crate and lived—just barely—to tell the world about it. Why do kids like this play so much? The Deep South dialect of slaves and slave bosses is certainly one reason. So too is the large cardboard box we use as the main prop. It’s painted to look like an old-fashioned shipping crate and is just big enough for a moderately-sized fifth grader to climb inside. The student playing Henry disappears within it during Scene 4 and then discreetly exits while the curtains are closed. From there he appears to get battered as the box is tossed from wagon to train to steamer until it finally gets cracked open at the Anti-Slavery Society in Philadelphia. Henry then rises from his coffin only to quickly swoon away from exhaustion and dehydration. This is of course a dramatic moment in Henry’s true story, and one kids don’t soon forget.

There are sound academic reasons to enact plays such as Box Brown’s Freedom Crate. For example, because kids are willing to read and reread their lines over and over again, Read Aloud Plays build reading fluency. The brain science behind this repetition suggests it actually forms the neural pathways that make reading possible. Read Aloud Plays are easily leveled and they provide the exposure to drama the new Common Core Standards demand. They also allow students to experience history “first hand,” which helps them to relate to people like Henry, to understand some of the heartache and suffering Henry might have felt. …Plus there’s still that whole southern accent thing.

Visit my storefront at TeachersPayTeachers to download a free preview of Box Brown or one of my other Black History plays. I’ve used every one in my own classroom, and because most have been previously published in Scholastic classroom magazines, you can rest-assured they’re of the highest quality.

Box Brown’s Freedom Crate is suitable for 4^th-8^th graders and includes parts for from ten to twenty students depending on your needs. Hear Box Brown being performed by students by clicking on the “podcasts” tab, and to get the most out of your reader’s theater, be sure to download my free article entitled “Why Use Drama?” Happy directing!

How Engaging are Read Aloud Plays?

Posted on January 19, 2013 by Mackowiecki

How engaging are read aloud plays? Consider this bit of anecdotal evidence: In December my students were working on my adaption of Guy DeMaupassant’s The Necklace for presentation on stage, as well as a movie version of A Christmas Carol (which you can view if you scroll down a couple of posts). Consequently the kids went home for vacation with both these scripts tucked away in their binders. Upon returning, one of my students shared how on Christmas her family decided to use the scripts and act out the plays themselves. Imagine the scene: Dad croaking out “Bah Humbug,” middle school brother haunting him in the night, and Grandma chiming in as The Ghost of Christmas Yet to Come. Note, too, that my student at the core of all this receives SPED services. These plays have gripped her (and her family) in a way that novels and text books haven’t. In my classroom, students regularly read chapter books in our “Book Clubs” and get plenty of instruction with short works, poetry, and non-fiction using Storyworks classroom magazine, but over twenty years of teaching, it’s consistently been the read aloud plays that most engage them. And let’s conclude with this, when was the last time your students took the text book home and read it around the Christmas tree? Visit my TeachersPayTeachers store for access to dozens of engaging play scripts. Each has been classroom-tested, most were originally published by Scholastic–which means they meet the highest standards–and all come with full production rights, meaning your $3 gets you a class set you can use year-after-year. Happy directing!

Turn Your Plays Into Movies!

Posted on January 7, 2013 by Mackowiecki

For a look at how much can be done with read aloud plays, a Flip camera, and simple Movie Maker software, check out this sixteen minute movie based on A Christmas Carol. The script comes from the book, Read Aloud Plays: Classic Short Stories, while the actors include all thirty kids from my 5th grade classroom in southern Oregon. It’s just one more example of the great things that can be accomplished with read aloud plays. Enjoy!