black history – Page 2 – ReadAloudPlays.com

With Martin Luther King Day just around the corner, I’ve frequently been asked of late, “How do you get kids meaningfully engaged in Civil Rights and Black History?” It’s a good question. Other than the appeal of the teacher, why should some white kid in suburban Flagstaff care about King’s work fifty years after the fact?

I’ve heard about good simulations, such as the one where classrooms segregate students based on eye-color, hair-color, or by lottery and allow one group to abuse the other for a day. Such activities are powerful—but they’re also controversial. Civil Rights is an important topic, but there’s no reason to do something that’s going to make your students cry, land you in your administrator’s office, or possibly require the services of an attorney.

A better way, I’m convinced, is to re-enact actual events through Read Aloud Plays. Imagine your students actually marching in Birmingham, getting thrown off the bus in Montgomery, or being tear-gassed in Selma.
How can we create in our students true empathy for what victims of racism experienced? How about having them enact the play The Girl Who Got Arrested in which—a year before Rosa Parks—a teenaged girl becomes the first to get thrown in jail for challenging Montgomery’s segregated bus system?

How do we get kids today to feel what the crusaders felt? Have them enact the play, Sitting Down for Dr. King, in which a white boy in Greensboro watches the Lunch Counter Sit-ins unfold around him and ultimately sacrifices his own interests to join the protestors.

Using Read Aloud Plays to teach Civil Rights comes with the added benefits that the approach improves reading fluency, aids comprehension, and helps meet 47 Common Core Standards. Forty-seven! Nearly all of my Black History plays have been previously published in Scholastic classroom magazines such as Storyworks and Scope, so they meet the highest standards. And because I’ve been writing and using Black History plays with my own students for nearly twenty years, I can attest to the fact that kids LOVE enacting these plays and learning about these events.

We Shall Overcome, my most popular Civil Rights play on TeachersPayTeachers, re-enacts the Birmingham Children’s Crusade. Television reporters cover the events as Bull Conner bullies protestors and school kids, and firehouses blast away as crusaders sing, “We shall overcome/we shall overcome/ we shall overcome someday…” Donning the persona of these characters, be they Bull Conners, MLKs, or Ruby Bridges, changes a person. Kids love to discuss how it makes them feel.

So, how do you get kids meaningfully engaged in Civil Rights and Black History this MLK Day? With Read Aloud Plays. For tips on how to get the most out of Read Aloud Plays, download my free article, “Why Use Drama?”

Admit it. You’re using one of those big fat textbooks to teach reading, one of those monstrosities brought to you by publishers determined to make sure its refrigerator-box full of materials met every standard ever concocted in Texas, California, Pennsylvania, the U.S. Protectorates, and Saturn’s Ring. Too bad the kids are yawning.

If you’re like most people, the new Common Core Standards might have you a bit flustered. You can rely on those textbooks, which will provide certain coverage of the standards but will drive your students back to their video games, or you can delve into literature, classroom magazines, and reader’s theater, which will require more documentation on your part but will more likely create lifelong readers. The truth is, using what administrators like to call “supplementary material” is more engaging to students, more enjoyable to teach, and not so hard to justify against the CCSs. Consider this: “drama” is mentioned nearly fifty times in the Standards! That being the case, reader’s theater is more relevant than ever.

Here are just a few examples from the Reading Standards for Literature (RL) where drama or an element of drama is explicitly referenced:

RL4.5 — Explain major differences between poems, dramas, and prose….
RL5.4 — Explain how a series of chapters, scenes or stanzas fits together….
RL5.6 — Describe how a narrator’s or speaker’s point of view influences how events are described.
RL6.3 — Describe how a particular story’s or drama’s plot unfolds in a series of episodes….
RL7.3 — Analyze how particular elements of a story or drama interact.

And don’t assume that using drama is only useful in teaching drama. One user of my play adaption of the classic short story, The Monkey’s Paw, commented how reading the play helped her students comprehend the original text. Because plays have to break stories down to their essence, using adaptions of classic stories is likely to help students meet the RL standards for any number of otherwise challenging texts at the high end of the “complexity band” (RL4-8.10)

But plays also help students meet standards in Reading Fluency. Consider RF 4.4c—Use context to confirm or self-correct word recognition and understanding…. Because drama puts the reader in the moment, and because the playwright cannot waste words within a 20 minutes classroom script, students are more able to make immediate contextual connections. In fact, drama is ideal for improving reading fluency in general. Because it mimics the repetition beginning readers use when first learning to read, it actually forms new neural pathways. (Check out the brain research by Vgotsky and others, or for a shortcut, read my article “Why Use Drama.”)

Recently, a former student of mine provided a powerful endorsement of using drama to teach literature. I hadn’t seen this young man for over four years, but he told me he’d just been thinking of me the day before. He’d been sitting in his 8th grade English class yawning over yet another mundane text book assignment when his mind drifted back to my then-third grade classroom. “I was just thinking about hopping around our classroom stage when we did that Aesop’s Fables play,” he said. “I enjoyed that.” That seems pretty telling to me.

Ready to set aside that textbook for a while and give drama a try? You can find a wide variety of read-aloud plays at my TeachersPayTeachers store. Try my Ebenezer Scrooge play (available only for the holidays), Peter Rabbit (excellent for intermediate kids to present to youngers), or Box Brown’s Freedom Crate (kids love experimenting with a southern dialect). You’ll also find numerous titles appropriate for Black History Month, which is right around the corner. Nearly all my plays have been previously published in Scholastic classroom magazine’s such as Storyworks and Junior Scholastic, so you can rest assured that they meet the highest standards. Not sure how to make it all work? Click here. For samples of kids performing classroom plays click on the “podcasts” tab up top. And for still more validation of using drama to meet the CCSs, check out this article from the New York Times.

Happy directing!